On The Core Role Of Conductor In Contemporary Chinese National Chamber Music

In recent years,A topic of discussion always has been a development of Chinese National music.How to create contemporary National music,how to carry on the inheritance of traditional National Music characteristics,in what form based on the forest of modern music and so on.And the exploration of these issues,we hear more from the composer and the musicologist's voice.In this thesis,the author will try to think about these problems from the point of view of command.The conductor is not a necessary presence for the chamber orchestra.However,in the development of the modern chamber orchestra and the rehearsal of new works,the conductor often plays a crucial role.These roles not only come from the command of the overall control of a work,but also include the command as a core identity,the operation of the entire orchestra,long-term development considerations.The author hopes that through the exploration of such a topic,combining herself experience in playing contemporary national chamber music and the experience of forming a contemporary national chamber orchestra,he will provide a new perspective for future generations 'research in this field from a commanding perspective.