On The Literati Style And Cause Of The Yixing Purple Clay Teapot In The Middle And Late Qing Dynasty

In the middle and late Qing dynasty,the encounter between Yixing purple sand pot and calligraphy and painting was well known for its high level of culture.In its diachronic development process,what kind of transmutation has taken place in the shape of the scholar’s pot?What is the reason for these literati to participate in the design and decoration of purple sand pot?To the scholars of Qing dynasty middle-late violet arenaceous phenomenon,to the collecting and organizing the recommended material,the shape of typological analysis,found the literati pot type there is a certain composite modelling theme homogeneous design language and has a certain style of the ancients,and the modelling of the same shape change is often accompanied by a certain degree of independence thoroughly.Through images,inscriptions and metaphors of heterogeneous materials,literati have constructed the special surface domain system of purple sand ware.Under the historical dimension,the literati pot shape,through the social modeling of individual artisans,has produced a variety of shape patterns that shape contour changes.It is found that the relationship between literati and purple sand is inseparable through the deep interpretation of literati purple sand wares.The plane consciousness of literati painting is in common with the boundary frame of purple sand wares.The purple sand wares attached by literati taste gradually get rid of their own "property" and become more and more a symbol of literati.Under this symbol system,literati design,calligraphy and painting,gold and stone,and literati money and knowledge constitute the three types of literati wares.Furthermore,it reveals that the essence of literati purple sand in the middle period of the Qing dynasty lies in the fact that literati culture added more wonderful design ideas to fit traditional elements on the basis of functionality,thus creating its rich literati teapots.