A Study Of The Aesthetic Form Of Mongolian Novels In The 1980s

In the 1980s,with the deepening of the reform,the emancipation of the mind and the improvement of the status of literature and art in the whole ideology,the development of Mongolian fiction in the 1980s brought unprecedented opportunities.In 1980,Mongolian fiction broke through the forbidden zones of sex,national consciousness,tragedy consciousness and life shadow which could not be touched before,and changed fundamentally.This paper examines Mongolian fiction in 1980s from the perspective of aesthetic theory.This paper is mainly divided into three parts:introduction,body and conclusion.The introduction briefly introduces the study of aesthetic form of Mongolian fiction in 1980s,explains the concept of aesthetic form in general,combs its current research situation,and summarizes the significance of studying Mongolian fiction in 1980s by aesthetic form.Chapter one analyses the graceful and magnificent forms in Mongolian fiction in 1980s.It elaborates on the beautiful scenery of nature and the slender divinity of women,which reflects the beautiful form.The magnificent nature,horses and tough men reflect the magnificent form.Chapter two explains the comedy form of Mongolian fiction in 1980s.This paper mainly discusses the "recovery" of"scars","the praise of the new era",the humorous language and behavior of characters,which make people laugh and give people a sense of comedy,so as to achieve comedy.Chapter three examines Mongolian fiction in 1980s from a tragic perspective.Summarizing the social factors such as"Cultural Revolution" and "Reform and Opening-up" caused the tragedy and sadness of Mongolian fiction in the 1980s,and also caused the sublime of social and natural aspects.Mongolian fiction in the 1980s perfectly explained the beauty and magnificence,comedy,tragedy,sadness and sublime in the aesthetic form.Mongolian fiction in 1980s is an important stage in the history of Mongolian fiction,and its aesthetic form is unique.