A Century Of Dialogue

It has been 110 years since Ren Jian Ci Hua was published in the Journal of Chinese Quintessence in 1908.In this process,the research on Ren Jian Ci Hua as one falls,another rises.Although it has suffered debate,with the continuous understanding and interpretation by researchers.As time goes by,the work has become an extremely popular sinology classic.Based on the time clue,this paper restores the "dialogues"between Ren Jian Ci Hua and different times under different mainstream ideology.Taking the personal horizon of literary critics in the same time and space as latitude,this paper chooses representative literary critics and articles to restore the exposition history of Ren Jian Ci Hua in the past hundred years.This paper is divided into three parts:introduction,body and conclusion.The introduction mainly explains the reasons for choosing the topic,the current research situation and the theoretical significance.The text is divided into five chapters.The first chapter mainly discusses the initial establishment of the academic status of Ren Jian Ci Hua(1908-1949).Taking Wang Guowei’s self-drowning Kunming Lake as a node,it can be divided into two stages.At the beginning of its publication,it was not until Yu Pingbo’s tthe Preface of Reprinting Ren Jian Ci Hua a opened the preclude to the discussion of putting it into the context of literary and artistic criticism,which opened the prelude of its canonization.After a few years,Zhu Guangqian,s three articles opened the way for explaining Ren Jian Ci Hua from the perspective of Western theories.The second chapter mainly discusses the "encounter" between Ren Jian Ci Him and the mainstream literary and artistic discourse after the founding of New China(1949-1978).During the seventeen years,deeply influenced by the Soviet model,a consensus was reached on the elaboration of the Ren Jian Ci Hua in this period:"Jing Jie" is a vivid image,sparked a debate:is "realm" idealistic or materialistic and come to thematic explanations under some mainstream literary and artistic discourses——for example,Li Zehou’s Talking about Artistic Conception,using Marxist historical materialism and typical theory,and taking "Jing Jie" as an example,has fully considered the combination of traditional literary theory and modem literary theory.During the Cultural Revolution of the 1960s and 1970s,the discussion of Ren Jian Ci Hua was almost blank,and the related discussion was forced to stop.The third chapter mainly discusses the elaboration and research of Ren Jian Ci Hua in the multi-valued field.(1978-1999).After the Third Plenary Session of the Eleventh Central Committee,the economic,political,ideological and cultural patterns of our country have changed.After the 1980s,the upsurge of the study of Ren Jian Ci Hua was set off,and the cultural ecology of the pluralistic symbiosis of Wang Guowei’s aesthetic monographs was gradually formed.Ye Jiaying and Fochu are representatives.Based on Chinese poetry and Western aesthetics,they have made a comprehensive exposition of Rcn Jian Ci Hua.They have written "Wang Guowei and His Literary Criticism" and"Wang Guowei’s Poetics Study" respectively,which can be regarded as the masterpiece in the study of "Ren Jian Ci Hua",and the milestone in the canonization of Ren Jian Ci Hua.The classical status of Ren Jian Ci Hua has been established.The fourth chapter is the classical deepening period(1999-present).In addition to summarizing the previous research results,there are also many works with academic vision that transcend culture and history.Representatives such as Luo Gang’s,Traditional Illusion:Wang Guowei’s Poetics in Cross-cultural Context" and Peng Yuping’s "Shuzheng of Ren Jian Ci Hua",both of them steadily stand on the standpoint of "utilizing Western Style" and "utilizing Western Style in Chinese Style",conduct a comprehensive exploratory study of "Jing Jie" theory,and inject new vitality into the trend of classicization of Ren Jian Ci Hua in the new century.In the final part,by returning to the text of Ren Jian Ci Hua,combining with historical context and existing researches,the author concludes that "Jing Jie" is a kind of "life poetry",which runs through the theoretical system and critical practice of the whole "Jing Jie" theory.In the concluding part,the paper reflects on the centuries elaborated process of Ren Jian Ci Hua,and summarizes the process of dialogue with literary critics from different perspectives.With its rich connotation and broad explanatory space,Ren Jian Ci Hua has withstood the test of mainstream ideology in different times,and has established an irreplaceable classical position in the bumpy progress.With the advent of the new century and the advancement of globalization,Ren Jian Ci Hua will face both opportunities and challenges.