Public Art Rebuilds The Self-confidence Of The Local Culture

With the rapid development of China’s urbanization process,rural populations have poured into cities on a large scale and become new citizens.The countryside was reduced to a lifeless shell.This phenomenon is due to the agricultural population’s longing for the worry-free life of urban clothing and food,which has caused the villagers to feel more and more inferiority.Therefore,the revitalization of rural areas must be tailored to local conditions and give play to the unique charm of local culture and historical memories.These are also the requirements of public art creation,and art can be used as a carrier of rural culture to promote rural construction.At present,there are some cases that can be used for reference at home and abroad.Art is used to revitalize the countryside,re-establish the connection between land and villagers,and stimulate villagers’ self-confidence in their own culture.In most rural constructions,the phenomenon of one thousand villages still exists.Even if there is a rural art festival,it is not rooted in the local soil,and it cannot stimulate the consciousness of the villagers and get the cultural identity of the villagers.By sorting out the main aspects of Huangshui’s public art intervention and the analysis of successful cases of revitalizing the countryside by art at home and abroad,the intervention of public art can mobilize the villagers’ own construction power and allow the village to continue to develop.Therefore,public art has great potential in the self-confidence reconstruction of local culture.Public art must serve the villages to communicate with the villagers,integrate with the local customs,and the life of the villagers.Public art itself must become a part of the rural landscape to create an atmosphere.Successful public works of art will have a huge effect in rural construction,not only rebuilding the countryside,but also awakening the love of hometown and the pride of one’s own culture.