A Study On The Tune Of The Shandong Folk Song "Embroidered Purse"

The earliest record of the folk song 《Embroidered pouch》has a history of more than 200 years.《Embroidered pouch》 is one of the common themes in Han folk songs,and it is widely spread in the Han and some ethnic minorities in China.At present,there are more than a hundred《Embroidered pouch》spreading across the country,and there are as many as 15 in Shandong Province.These 《Embroidered Pouch》distributed in13 different places in Shandong Province are dominated by inland areas at a moderate speed;in coastal cities or provincial border areas,the speed is significantly accelerated;in the southern areas,《Embroidered Pouch》are more lively and flexible than northern,it has a gradual personality style of "North majestic,South pretty,Western tough,East Soft".Taking Shandong Folk Song《Embroidered pouch》as the research object,using field surveys、experience summaries 、 document collation 、 interviews and other methods,the 15 songs of《Embroidered pouch》were divided into four dialect areas due to the differences in the local language of Shandong.By region to segment the Runqiang treatment of Shandong’s different《Embroidered pouch》carried out a more detailed research summary.The features of Shandong Folk Song 《 Embroidered pouch 》 is manly soft sing,supplemented by tough singing,the following is the most typical of tough sing;the most common in the connection of words is late pronunciation and extension of the prefix;Zusheng occurs frequently;the use of pitch Runqiang is the most common,the most representative is the sliding flick、up mordent、down appoggiatura,sometimes accompanied by the upward sliding flick,the line is tough;rhotic accent、spring tongue and lining words "ne、jiu、that、yime、aihaiyou、ananan" are representative of local characteristics.