| After the founding of the People’s Republic of China in 1949,the development of literature in mainland China entered a new stage.During the period 1954-1966,the occurrence and development of the literary movement and literary thoughts were closely related to the policies and policies of New China.At the same time,the establishment of a unified literary system with the writers’ association as a carrier has played a significant role in the development of the literary cause in New China.As the forefront of socialist literature and art,Shanghai is naturally unwilling to lag behind in studying and implementing the literary and artistic principles and policies of New China.After its establishment,the Shanghai Chapter of the Chinese Writers Association played an important role in cultivating the literary team and promoting the development of the socialist literary arts.During this period,the Shanghai Chapter of the Chinese Writers Association actively organized writers to learn and understand the party ’s literary and artistic policies and literary lines,carried out literary criticism,and continued to strengthen writers ’literary and artistic creation.Realist creative principles for literary creation,and continue to train young writers to strengthen the reserve force of the literary team.Under the leadership of the Shanghai Branch of the Chinese Writers Association,the development of socialist literary career in Shanghai has yielded fruitful literary and theoretical research results.At the same time,some difficulties and setbacks are inevitable.The research of the Chinese Writers Association Shanghai Branch,especially the study and implementation of the literary and artistic principles,the management and leadership of the writer group,the guidance and grasp of literary and artistic creation,and research and analysis,and then discuss its work effectiveness and Defects,analysis of their impact on the development of Shanghai literature,and on the basis of this,to learn lessons,in order to provide reference for the party’s literary and artistic policy formulation and literary and artistic creation guidance in the new era is the main problem of this paper. |