The Aesthetics And Influence Of The "quality" Theory In The Wei, Jin, Southern And Northern Dynasties

In the process of the evolution of traditional Chinese literature and art has gradually formed a unique concept,category,and based on this evolved a unique Chinese aesthetic characteristics of the theoretical system,from many aspects of the development of traditional Chinese literature and art process.It is the only way to deepen the study of the traditional literature and art forms and their aesthetic theory categories to form a multidirectional research form from the perspective of micro and macro.As an important category closely related to evaluation in the theoretical system of Chinese traditional literature and art,"product" is a common phenomenon of Chinese traditional literature and art aesthetic appreciation,and a thinking paradigm with vitality and nationality.The theory of "product" has rich forms,unique forms of evaluation,strong humanistic inclination and profound philosophical background,which make it an object of great research value.In the process of art evaluation,artists,in accordance with their own thoughts and aesthetic concepts,use the brush and ink to externalize the main vitality of the self into aesthetic images.This personalized aesthetic evaluation paradigm has a profound guiding significance for the evaluation of traditional Chinese literature and art.Throughout the history of China,the Weijin & Nanbei Dynasty have become an important part of the study of Chinese literary and art criticism due to their cultural consciousness.This clear trace of subjectivity makes literary and art criticism inevitably accompany the existence of the subject and become a mode of human existence,that is,the essence of literary and art criticism lies not in art itself,but in the existence of human and life image.In Weijin & Nanbei Dynasty "taste" from the political to the aesthetics in the process of transformation,as a kind of aesthetic taste,tendons,bones,blood,meat to gas,rhyme,god,in China the humanization of the literature evaluation means system effectively,and between literary tasters and literary works to construct a bridge view enlightenment directly by the art of life.This kind of humanized aesthetic evaluation paradigm has undoubtedly created good conditions for the multi-dimensional dialogue between creators and works,reviewers and works,creators and reviewers,and the synaesthesia across time and space.Therefore,it is of great value to explore the unique humanized aesthetic evaluation paradigm of "product" in Weijin & Nanbei Dynasty.This paper will mainly discuss from three aspects.The first part discusses theinfluence of the historical environment from pre-qin to Weijin & Nanbei Dynasty on the development of "product" theory.Based mainly on the cultural background,this paper analyzes the connotation and development of the early "product" theory from the perspective of historical trend,cultural trend of thought,philosophical thought,times atmosphere and artistic concept.From the perspective of ideological background and social background,the development of the theory of "product" and the emergence and change of its internal characteristics are determined by the political concepts and ideological trends in a specific period.The second part discusses the evolution of "product" from politicization to aestheticization from pre-qin to Weijin &Nanbei Dynasty.This part mainly involves the recognition of ethics in qin and han dynasties,the evaluation of talents in The Three Kingdoms at the end of han dynasty,the re-examination of beauty and the analysis of representative works.The third part discusses the aesthetic paradigm of "product" in the Weijin & Nanbei Dynasty.This part firstly in this paper,the concept of Chinese traditional physical relevance of the theory of "product" and Weijin & Nanbei Dynasty,secondly discusses the Weijin & Nanbei Dynasty unique aesthetic characteristics of "taste" theory,namely the aesthetic evaluation paradigm of humanization,including humanization tasting category analysis(the category is under the influence of characters underwent ethos,closely associated with characters underwent),the humanization of "taste" theory paradigm appeared in the literature evaluation and influence in Weijin & Nanbei Dynasty,"product" humanization germinal process of aesthetic thought.The fourth part mainly discusses the difference between the aesthetic activity "appreciation" of the traditional Chinese literary theory "taste" and western literary criticism,and the enlightenment of the humanized aesthetic paradigm of "taste" on contemporary literary creation and appreciation.