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A background and an analysis of Mozart's Piano Concerto No. 24 in C Minor, K. 491: Aids towards performance

Posted on:1993-01-07Degree:D.M.AType:Thesis
University:The Ohio State UniversityCandidate:Rhee, MeehyunFull Text:PDF
GTID:2475390014496295Subject:Music
Abstract/Summary:
Wolfgang Amadeus Mozart (1756-1791) is regarded as the master of piano music in the Classical period. His 27 piano concertos are marvelous classical form and are among the most beloved of his compositions.;The piano concerto, No. 24 in C minor, composed in 1786, is considered by scholar/musicians to be one of his most outstanding works and demonstrates his finest compositional power. The concerto consists of three movements: Allegro, Larghetto, and Allegretto, in the keys of C minor, E flat major, and C minor. Key of C minor is unusual for Mozart and the structure of the first movement is unique. Further, he creates the largest orchestra yet used for his piano concertos, employing clarinets and oboes simultaneously.;Based upon her experience in performing the work, the writer explores the elements of classical concerto form and style defined by the concerto. Chapter one discusses the background of concerto, including a historical summary of Mozart's life and structure of the concerto.;Chapter 2 provides information regarding literature and sources for the concerto, including a description of research methods and music.;Chapter 3 presents a general analysis of each movement, including thematic characteristics, key relationship, structure, technical problems, and interpretation.;Chapter 4 lists the writer's summary and conclusions, including recommendations for further study and performance.
Keywords/Search Tags:Concerto, Piano, Minor, Chapter, Including
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