| Since the nineteen ninties, China’s socialist market economic system graduallyestablished, multicultural coexistence pattern concomitant also gradually clear up,with sensual pleasure and entertainment as the main features of the popular culturebecomes the mainstream of aesthetic culture in the social transition period, in themass culture context, the audience reached unprecedented enthusiasm forentertainment pursuit, the pursuit of entertainment has become a sign of the times."Zhao Baogang " is the guarantee of product, high ratings, in2007with the " struggle "hit, people start to a new form of " topic " TV debate, after " my youth who call theshots "," battle of marriage "," man "," Beijing youth " the high ratings show ZhaoBaogang strong personal style and artistic characteristics, as well as to the market, theaudience demand accurate grasp.The cultural spirit of the specific times, casting for the spirit of art, whichdetermines the style and the style of art. Every age has its literature and art of theirown age, they embody the language habits, ways of thinking, the spirit and valueorientation of the era. Nineteen eighties end at the beginning of90time, culture inChina’s mainland has now changed, including not only the evolution of culture, culturalstructure, more importantly, the cultural life of submerged in the sea of marketeconomy, mass culture has been obvious for inhibition of tragedy and the impact ofthe transition period, art form is a comic. Chinese comedy television dramasmorphology can be roughly divided into two types: one is the more pure comedy; ithas elements of comedy, comedy, comedy drama. So, in recent years the issue of ZhaoDao drama is belong to the latter category. This is the first chapter from themechanism of social culture on Zhao Baogang the metropolis emotion play comedygenerated topic.Director Zhao Baogang from the market, the perspective of the audience,constantly innovative blood into his drama, hold high the " topic drama " banner,"eco-city " fusion in characters, lines, topic these narrative strategy, the urbanecological comedy special formation is amusing in one story. It is the ideal to make the Zhao Baogang TV series is widely discussed in the audience, and become a topic.With the rapid development of China’s economy, people gradually accelerate the paceof life, work, fierce competition, a strong pressure and high rhythm makes it moredifficult to sustain mental burden, emotional, psychological problems, famine, familyconflicts, workplace confusion and a series of emotional problem becomes importantmental pressure, the face of the TV media, people also hope to be able to obtain therelease of the emotional stress of satisfaction from. Director Zhao Baogang’s " youthTrilogy " and other works to meet the needs of the audience from " Weile " principle.This is the second chapter from the operation mechanism of Zhao Baogang Cityemotional topic drama comedy generated to discuss.From the perspective of pragmatics to analyze humorous lines generation,"group " role between the comedy taste and clean comedy set in three aspects toelaborate Zhao Baogang the metropolis emotion play comic art topic generationmeans. Combining the western theory of comedy, the interdisciplinary analysis,content analysis, case analysis, comparative study of law, literature analysis and othermethods of analysis. Comedy on the formation of these TV dramas from the comiccharacters, comic, shooting method and so on, this is the third chapter.In the recent years the topic, Zhao Baogang directed the comedy elements which,in line with the audience for the TV comedy expectations, they hope that they can inorder to alleviate the pressure of work life, comedy, fun mood, leisure boring. In thepopular culture and consumer culture spread rapidly environment, research directorZhao Baogang in recent years, the metropolis emotion topic comic effect generationmechanism have important guiding significance for the Chinese film and televisionindustry in the process of. |
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