A Study On Jin Changye’s Cognition Of Music Performance In Qing Dynasty

At the beginning of the 18th century,the scholar-officials of the Korean era broke through the shackles of the traditional thinking mode of "huayi view" to a certain extent,and objectively affirmed the great changes in the qing society.Under the effect of the Korea times"social overall imagination",north Korea YanHang him in YanHang,the saw and heard in the qing dynasty and the.changing process of understanding of the qing dynasty genre record in a diary,formed a "YanHang record".Among them,jin changye’ s diary of the old jia zhai yan,hongda rong’ s "zhan xuan yan" and "the hot river diary" of the park is an important part of yanxing.The first chapter is the introduction part,mainly introduces the paper’ s research purpose,significance and the research object,and connecting with the domestic and foreign research status quo of the comb,at home and abroad to Jin Changye and tendency of research to the old ones zhai YanHang diaries Yu Jinchang industry to communicate with scholars in the qing dynasty,etc.The cognition of music performance and the research on the development and influence of music culture in Korea have not been fully analyzed.The second chapter is jin changye’s cognitive basis of Chinese instrumental music.This chapter mainly elaborates the historical background of Chinese instrumental music introduced to north Korea for a simple analysis to express the music culture background of north Korea in jinchangye period;The formation of jin changye’ s artistic accomplishment,the growth background of jin changye and his literature and painting accomplishment,and his yearning for China;In the course of yan xing,jin changye has seen the performance of instrumental music,including the instrumental performance in the folk music and the instrumental performance in court music and the instrumental performance in music.The third chapter is the cognitive style of jin changye’s performance of Chinese instrumental music.This chapter mainly elaborates on the comparison between jin changye and the Korean M usical Instruments in the qing dynasty.Comparison of music and music of the Korean court in the qing dynasty;For the first time,jinchang saw western Musical Instruments in the western cathedral of the qing dynasty--the bell and the organ.This paper summarizes the value of instrumental performance in jin changye’ s diary,and studies the cognition of western instruments that jin changye did not hear during the qing dynasty.The fourth chapter is the influence of the Chinese instrumental cognition of jin chang on the format ion of music performance.Jin Changye broad inclusive of communication concept and formation of the cognition of Chinese instrumental music successors opened the gates,to other north Korea north school teachers of the law by the guinness the contamination of thought,and also for the headquarters let led by practical ideas and learning about park toe source,led by the north become this music show view form the basis of future generations.Chapter five is the conclusion.