A Study Of Spatial Writing In The Narration Of Shi Zhecun’s Novels

Among Shi’s novels,there are two distinct spaces: one is the pseudonym × state,which is actually Hangzhou,Suzhou and Songjiang,and the other is the bright Shanghai city.The quirky city of Shanghai is in sharp contrast to the traditional rustic world around it.The metropolis is full of noisy traffic and the small towns and villages are full of self-sufficient tranquility.Therefore,the quiet and comfortable countryside unconsciously becomes the spiritual healing place after the urban people are "squeezed" by the busy life,at the same time,the rural civilization also occupies the dominant position in the process of urban discourse influence,plus the rural text Ming’s own inherent "despicable ",so that the desire to find soul comfort in the local " urban products " fantasy failed,the ideal land into a mirror in the moon water flowers.The natural tranquil countryside and the luxurious hustle and bustle city together constitute the space writing under Shi Zhecun’s pen.The study of Shi Zhecun is not based on the characteristics of "modernism" in the conventional sense of his works,but from the perspective of literary narratology to analyze the spatial writing and its significance.The introduction part,by combing the theory of "space" in literary narratology,lays the theoretical foundation for the study of "space writing" in this paper On the basis of the research status of Shi Zhecun’s space writing,the significance of his space writing is explained.The first chapter mainly discusses the writing of local space in Shi Zhecun’s novels.Most of his protagonists return home in adulthood and pursue beauty in the rubble of the countryside.On the one hand,in the protagonist who has been far away from his native land for many years,the native land is a melancholy and lost dream seeking space,on the other hand,in the view of the protagonist who fled the native land and fell because of the city,the native land is the holy land for the redemption of the soul.At the same time,for the protagonist who lived in the city for a long time,the countryside is inevitably feudal and foolish,so those who want to heal themselves through the leisure of the countryside The hero of the body city disease even if temporarily come to the countryside,also can not help but with the inner doubt and prejudice,fantasy native land is a strange realm of evil spirits.The second chapter focuses on the analysis of the urban description in Shi Zhecun’s novel,which is different from other people in the new sense school.Instead of focusing on the dance floor and sensuality,he expresses the reason why urban people are alienated by describing the "temptation" of urban space in both public space and family space,which are cinema and street.The third chapter,the existence of Shi Zhecun in his novel created a boundary space between the city and the countryside,which is accompanied by the production of the body belongs to the city,but the soul yearned for A group of "marginal people" in the country,in the dilemma of painful choice will inevitably lead to its spiritual dilemma.As if Shi Zhecun’s space writing is a kind of unintentional pen,it actually implies his thinking about the city life at that time —— where the city people who lost their spiritual support go.His novel throws out the question in the way of idle pen,but also hides the answer in the space of novel construction.By exploring the mode of getting along with space,human beings can finally find their own position in the alienated world.