The Research On The Scripture Calligraphy Of Zhang Jizhi

Zhang Jizhi,as a typical literati in the Southern Song Dynasty,had an ardent Zen sentiment,which was manifested his contact with the monks in the jungle,and was accustomed transcribing Buddhism scriptures.What is particularly outstanding is that he dedicated himself to copying the Buddhism scriptures after his official career,and he has not been tired for thirty years.Zhang Jizhi’s scripture calligraphy contains the connotation inherent in Chinese culture,the attitude of scholars to rigorously study,and the spirit of transcendence in Buddhism,which is the most distinctive artistic expression.This article intends to take Zhang Jizhi’s scripture calligraphy as the theme,and aims to explore the style of Zhang Jizhi’s scripture calligraphy.The author analyzes the cause of Zhang Jizhi’s scripture calligraphy by discussing the environment of scripture writing in the Southern Song Dynasty.Not only studying the art of calligraphy of Zhang Jizhi scripture works,the staging of scripture calligraphy,the characteristics of the style of the scripture calligraphy,the inheritance of the scripture calligraphy,but also exploring and presenting the formal beauty and aesthetic interest of Zhang Jizhi’s scripture calligraphy,thus further enriching the meaning of Zhang Jizhi’s scripture calligraphy.Among them,the author’s discussion of the characteristics of the style of Zhang Jizhi’s scripture calligraphy in the early and late period and the research of the early and late period of writing the calligraphy are one of the focuses of this article;in addition,there is more inking in the exploration of the beauty of Zhang Jizhi’s scripture calligraphy.From the perspective of "aesthetics",the aesthetic elements of Zhang Jizhi’s scripture calligraphy are realized and realized.Therefore,this case focuses on and explores the unique artistic expression of Zhang Jizhi’s scripture calligraphy of calligraphy through point and face.