The Study Of Sun Zhensheng ’s Meticulous And Colorful Figure Painting Language And Its Influence On My Creation

Heavy color painting is the original form of traditional Chinese painting.The heavy color painting reached its peak from the original rock painting to the scroll painting of the Tang Dynasty,and then gradually declined.After modern times,heavy color paintings have regained attention,and artists have embarked on the road to revival of heavy color paintings.The innovation of painting tools and the change of painting concepts have made the heavy color paintings shine in the new era.Under the influence of globalization,modern heavy-color paintings are influenced by Western paintings,presenting a diversified situation,and a large number of young and middle-aged painters have emerged.Sun Zhensheng is a dark horse that has emerged in recent years.His painting style is calm and elegant,both based on tradition and meritocratic.His fine brushwork figure paintings attracted people’s attention with simple and simple shapes,simple and calm tones,and profound and long-term artistic conceptions.Now I hope to analyze the artistic language,such as modeling language,color language,composition method,etc.,to explore the humanistic connotation and aesthetic taste behind Sun Zhensheng’s works,in order to inspire the author’s own study of heavy color painting.The author follows in the footsteps of the mentor,goes up the ranks of Dan Qing,and constantly explores in the heavy color world with rich colors and flashing natural light.This article takes Sun Zhensheng’s artistic language as a starting point for his colorful paintings,and attempts to summarize the current stage’s artistic characteristics and painting style.And learn from Sun Zhensheng’s painting language,make innovations and try to complete the series of "Tibetan style".This article is divided into three chapters.The first chapter analyzes the artistic language of Sun Zhensheng’s meticulous and colorful figure paintings,summarizes and summarizes its artistic language,and elaborates on its significance for this creation.The second chapter starts with the topic selection,collection of materials,design sketches,and actual creation.Introduces the creative process of the "Tibetan Customs" series;the third chapter is mainly reflections on this creation and reflections on the development of modern color.