| Zuo Zhuan has three important properties of Scripture,History,and Literature in terms of the current academic division.The establishment of these properties needs to be discovered and studied in the process of historical advancement.The Song Dynasty,as a dynasty that formed a connecting link between the preceding and the following in the feudal society of China,Song people greatly contributed to the transformation of Zuo Zhuan from classics to literature,and their research methods and perspectives directly affected the critics of Zuo Zhuan in Ming and Qing Dynasties.This article takes the Song people’s research phenomenon on the literariness of Zuo Zhuan as the object of investigation,mainly adopts the methods of literature analysis,combination of literature and history,comparative research and the combination of diachronic and synchronic,Through collecting,sorting out and analyzing the literature of the song people’s comments on the literariness of Zuo Zhuan,this article investigates the Song Dynasty’s outstanding contribution in the transition from Confucian classics to literary model,and probes into the relevant research background,research significance and influence.The content of the paper consists of five parts,it mainly includes the following aspects:The main body of the article has an introduction,which mainly relates to the interpretation of "literature",it also points out that the "literality" of this article is an explanation of its literary characteristics.In addition,according to the research situation of Zuo Zhuan in academia,this article has sorted out closely related content.Main contents can be summarized as thus: Works related to the study of Zuo Zhuan studies,works related to the spread of Zuo Zhuan and the study of literary acceptance,works of literary evaluation studies of Zuo Zhuan during the Tang and Song Dynasties.At last the purpose and significance of this paper is also mentioned.The first part is mainly to summarize the basic situation of the literary research of Zuo Zhuan before Song.With the help of this line,we can clearly grasp the literary research results of Zuo Zhuan and the research characteristics and deficiencies at various historical stages.It helps us have a clearer understanding of the vertical development and evolution.The second part mainly discusses the concrete reflection of the Song people’s exploration in the literary character of Zuo Zhuan.Starting from different identities of the Song Dynasty researchers,it is specific to the four levels of connotation,detailed,sentence-making and style of "Zuo Zhuan".The Song people’s connotation of Zuo Zhuan is to affirm that the essay conveys the expression effect of “exhaustive words and endless meanings” by euphemism.The details of the arrangement are appropriate;the sentence-making is affirmation of the painstaking degree of "Zuo Zhuan" in the selection of various words;the subdivision of "style" negates the traditional model of division based on the function of article,and instead recognizes the new stylistic classification form that emphasizes the expression of articles in Zuo Zhuan.The third part mainly analyzes the characteristics of the Song people in the literary researchof Zuo Zhuan and the specific incentives for the phenomenon.From the perspective of emphasizing the practicality of learning articles,Song Confucianism turned to ancient prose and focused on the language research of prose.However,according to the collected historical materials,it was found that there were no works specifically studying the literary nature of Zuo Zhuan in this period.Therefore,the study was also characterized by unsystematic and discretized.As for the reason why the Song people vigorously studied the literary nature of the literature,it was not only affected by the loosening of its Confucian identity,but also had a new turning point due to the promotion of the ancient text movement.At the same time,the imperial examinations in the Song Dynasty were also a great factor.Of course,the predecessor’s view of Confucian literary literature also affected it,which is reflected in the refraction of the literary concept of Zuo Zhuan before Song Dynasty and the concept of "the six classics are all literary" produced in the middle Tang Dynasty.Under the combined action of internal and external factors,a spectacular situation was shaped in the literary research of Zuo Zhuan by Song people.The last part is mainly to explain the significance and influence of Song people on the literary research of Zuo Zhuan.The Song people kept a watchful eye on Zuo Zhuan due to its value in guiding people ’s work and its strengthening views of the predecessors.,it further opened the door to study Zuo Zhuan from the literary point of view and became the key turning point to make Zuo Zhuan" turn from the scripture to the text.Beside,its impact on future generations is also huge.Specifically,it elaborates from the three aspects of essay selection,basic literary characteristics,and research and understanding.The transformation of Zuo Zhuan as a literary model was completely realized in the Ming and Qing Dynasties is finally explained.The innovation of this article is mainly reflected in the following two points: First,it systematically and comprehensively demonstrates the Song people’s exploration about the literary character of Zuo Zhuan and strengthens their understanding of the literary research of Zuo Zhuan to a certain extent.Second,some new points of view were put forward to realize the correct name of the Song Dynasty.The "label" given by the academic circles to Song dynasty had always been regarded as another peak of the study of Confucian classics after the Han dynasty,and it was believed that Zuo Zhuan‘ transformation from the classics to the literature was not realized until the Ming and Qing dynasties.These views are absolutely biased.The study of this paper shows that the song dynasty is an important historical period for Zuo Zhuan.It not only transferred from the classics to the literature but also further highlighted its important status!... |