Huan Yuan Calligraphy

This paper takes the Chinese character font and the deconstruction and reconstruction as the research object,with the aim of establishing and perfecting the basic theory of the discipline,explores the design requirements of Chinese character font,and determines the basic norms of its design.With the support of cross-disciplinary theory,this paper makes a qualitative study on the application of Chinese characters in deconstruction and reconstruction,and summarizes and analyzes the design methods and definitions of Chinese characters in deconstruction and reconstruction.In the part of experimental font design,combined with this design method,we design the ring element typeface,and finally establish the method of Chinese character font in deconstruction and reconstruction,aiming to promote the establishment and improvement of the theory and method of Chinese character font design.The paper is divided into five parts:The first chapter is the introduction,which mainly sorts out the research background,literature,research methods,research purposes and significance of Chinese character font design.The second chapter mainly from the deconstruction refactoring source design of deconstruction in the field of design,the source of the inductive analysis of deconstruction design and definition,clear the source of deconstruction refactoring-deconstruction design related concepts,and again to deconstruct the refactoring generalizations relevant characteristics and the design thinking,to later deconstruction reconstruction by correlation analysis of Chinese characters,Chinese fonts for bedding.The third chapter summarizes the origin and related concepts of Chinese character fonts,explains relevant principles and norms of Chinese character font design,and summarizes and analyzes relevant theories of Chinese character font design,which lays the theoretical basis for the discussion of the application of deconstruction and reconstruction in Chinese character fonts in the following paper.The fourth chapter links the Chinese character font design with the theory of deconstruction and reconstruction,analyzes and discusses the connection between them,explains the application of deconstruction and reconstruction in Chinese character font with actual cases,and puts forward the relevant methods of deconstruction and reconstruction in Chinese character font design.The fifth chapter,according to the design method proposed in the previous paper,applies it to the experimental font design of ring element calligraphy,and uses the design practice to actively test the method,so as to reflect the value and significance of deconstruction and reconstruction to break through the traditional design concept of Chinese characters and fonts.Deconstruction and reconstruction is a valuable research topic in the field of Chinese character font design.Deconstructive design--Deconstruction and reconstruction have the "rebellious" spirit of breaking the traditional confinement and convention,which is of positive significance in breaking the confinement of traditional aesthetics and framework of Chinese characters and fonts.The author hopes to provide diversified design thinking and methods for the developing field of Chinese characters and fonts through the analysis of deconstruction design--deconstruction and reconstruction.