Research On "Urban-Rural Transition" And The Gender Writing Of The "Post-70s" Female Writers

Since the 1990 s,with the rapid advancement of the market economy and the rapid development of urbanization,China’s "literary ecology" has gradually changed,and the "post-70s" female writers,as experiencers of the times,have demonstrated a generation’s thinking about the relationship between literature and the times.The "beauty writers" were keen on expressing their bodies and desires,and their works showed a tendency to cater to the logic of the market.After the new century,the "post-70s" female writers,represented by Wei Wei and Sheng Keyi,due to the special geographical space in the countryside and towns,and the writers’ own awakening to historical and realistic consciousness,no longer insist on writing about the body and desire in writing about towns and gender,nor do they stick to the female narrative perspective.Instead,they have incorporated public issues into their writing on urban and rural areas and gender,such as the focus on the fate of rural women who have moved to the cities in the new century in the stories of "outsiders" and the narratives of returning to their hometowns,the expansion of public discourse,their commitment to the construction of gender equality,the development of a "collective" ethic of everyday life from the "individual",and the "post-70s" female writers efforts to write about their subjectivities.Based on the existing studies(daily writing,personalized narratives,uncertainty of spiritual stance,etc.This paper focuses on the new style they present in the new cultural context,from the urban-rural transition and the adjustment of gender writing by the "post-70s" female writers,to the new style of the "post-70s" female writers.In this paper,we focus on their new style in the new cultural context,from the adjustment of gender writing by the "post-70s" female writers,the thematic expression and structural correspondence of the "urban-rural transition",the artistic planning and new quality of writing,and the reflection on the new writing of the "post-70s" female writers.This paper presents the new changes in the creation of the "post-70s" female writers by selecting representative writers such as Sheng Keyi,Wei Wei,Qiao Ye,Lu Min and Liang Hong.The paper consists of five chapters.The first chapter is an introduction,which summarizes China’s "literary ecology" gradually changed in the 1990 s,and the adjustment of the "post-70s" female writers gender writing and the process of urban and rural transformation,it takes this as an origin,and clears up current status of gender writing research of existing the "post-70s" female writers in the new cultural context from internal research and external research,and further points out the inseparable relationship between gender writing and "urban-rural transition",as well as the necessity of research,so as to lay the foundation for the main part of the paper.For the second chapter,on the one hand,it clears up writing transformation of the "post-70s" female writers from the internal development process of writers,points out that "urban-rural transition" is the fulcrum choice of "suitable" for the "post-70s" female writers : commercial writing of the "beauty writers" of planning birth,introspective writing that the "post-70s" female writers are obscured from a misreading,creative adjustment of "appropriate timing" transformation of the "post-70s" female writer.On the other hand,from the context of urban and rural transformation,it points out that the creation adjustment of the "post-70s" female writers comes from the emotional fit of local self-identity under the intellectual identity.The third chapter analyzes two thematic expressions and spatial construction of "urban-rural transition" by the "post-70s" female writers under the background of urban-rural transition.On the one hand,they stick to the traditional local identity,recalled the township space in nostalgic ways.On the other hand,they are in the city,creating deltended urban space as "strangers".In addition,it analyzes the contradictory phenomena that the "going to town" dilemma and not being able to for the special group of "urban women" and looks up the gender order change implied behind this phenomenon.The fourth chapter looks at the artistic planning and new quality of writing of the "post-70s" female writers in their "urban-rural transition",discusses their artistic characteristics dedicating to non-fictional empirical writing and "de-feminization" writing after the new century,and it generates "collective" from "individual" and tells the words of the times,so as to expand the content of the female gender expression and the spatial discourse.Based on the above research,the fifth chapter makes a value assessment on new writing of the "post-70s" female writers.It confirms that the "post-70s" female writers are in line with the "hermaphroditic" concept,and builds efforts on a new model of gender writing,and it confirms the group writing dedicating to female self-pursuit.However,in the process of implementation,the "post-70s" female writers were imprisoned by the thinking mode of "dual opposition",and inevitably became the product of the "other-oriented" identity.