On The Aesthetic Connotation Of Diversity In Song Dynasty From The Imagery And Metaphor Of Poetry And Painting Intertextuality

The development of poetry and painting is an eternal topic among the profound artistic categories in China.Among them,the intertextuality of poetry and painting is an important carrier of the artistic presentation of the relationship between poetry and painting.Progressively,the two different arts of poetry and painting show the results of a variety of forms of interaction,and at the same time diversified aesthetic concepts appear.Since the Song Dynasty,there has been a gigantic number of artistic practices and theoretical studies on the relationship between poetry and painting,which differentiated diversified aesthetic levels and differences in aesthetic consciousness.Due to differences in class,status,and experience,different groups present qualitative differences in aesthetic awareness and creative practice,but at the same time,there are also acceptance,transformation and absorption.Among them,the early literati painters headed by Su Shi developed new functions of the integration of poetry and painting through their practice and cognition,constructed the isomorphic relationship between poetry and painting,made a comprehensive and clear explanation of the concept of poetry and painting,and opened up poetry and painting.A new situation in the history of relationships.Later,the academy style painting represented by Emperor Huizong of the Song Dynasty integrated poetry and painting in the form of expression.On the one hand,they wrote poetry inscriptions on paintings,and on the other hand created the first practice exploration of setting a precedent for the painting academy to set up a poem and painting examination.The Southern Song Art Academy continued the aesthetic tastes of the previous generations,the subject matter of the intertextuality of poetry and painting was further diversified,established a new aesthetic paradigm for Chinese painting,and vigorously promoted the development of the integration of poetry and painting.And a group of painters headed by Li Gonglin,their creations showed the painting techniques and expressions of the academy style paintings,and at the same time they contained Chinese ideology in their creations,and they were all inclusive.They became a bridge for communication between the literati painting and the academy style paintings in the Song Dynasty.This article mainly focuses on the inter-textual phenomenon of poetry and painting in the Song Dynasty as the research object,and analyzes different aesthetic activities from a diversified perspective.The full text elaborates on three major aspects.Firstly,it outlines the development form of intertextuality between poetry and painting.Then,with the Song Dynasty as the background,analyze the diversified aesthetic consciousness from the creative thought and artistic practice of different groups.Finally,from the intertextuality of poetry and painting in the meaning and metaphor of appreciation of different groups of painting works,explore the penetration of humanistic spirit and echo relationship.Combined with the creation background of the current era,fully absorb and grasp the nutrients provided by different levels of art categories for painting.