The Research On Intertextuality Between Poetry And Painting Of The Traditional Chinese Fisherman Theme

This paper takes the intertextual relationship between poetry and painting of the traditional Chinese fisherman theme as the main object of study,and explores the intertextual characteristics,specific expressions and causes of this theme by taking the development line of the fisherman theme in the fields of poetry,literature and painting as a clue.This paper is divided into the following five parts: the first part clarifies the necessity and feasibility of the study of the fisherman’s motif in painting,and sorts out the current situation about the related research.The second part compares the origins and development of this theme in poetry and literature,analyzes the characteristics of its creation in different historical stages of poetry and literature,and clarifies its development in ancient poetry and literature.The third part outlines the germination,rise and decline of this theme in ancient Chinese painting,collating the different characteristics it presented during the development of painting.The fourth part examines the intertextual relationship between this theme in ancient poetry and literature and painting,by carefully analyzing the specific forms of its intertextual expression and deciphering the characteristics of the intertextual expression of this theme in different historical stages.The fifth part summarizes the reasons for the intertextuality of the fisherman-related themes and the state of development that echoes them.In addition to political,economic and cultural factors,the expression of this theme and the psychological state of the creative group also directly influenced and enriched its connotation.After the above study,this paper clarifies the intertextual relationship between the subject of fishermen in ancient painting and poetry and literature,and clarifies the historical characteristics and causes of the intertextual state.