An Analysis Of The Fourth Movement Of Ye Xiaogang’s Song Of The Earth

Ye Xiaogang is one of the most internationally influential composers in contemporary China.His music creation techniques are full of poetry and characteristics of Chinese music style,and he has made outstanding contributions to the development of Chinese music on the world stage."Song of the Earth"was created in 2005 and is a representative work.In this paper,the fourth movement of the work "Lotus Gathering Music" as the research object,through the analysis of the orchestral orcharding techniques in the movement,explore the composer’s orchestral writing in the musical genre of vocal symphony,and summarize the fitting methods in the work.This paper studies the fourth movement of "Song of the Earth" from three aspects:one is the author of "Song of the Earth" and the introduction of his works.Based on the introduction of the composer Ye Xiaogang and the genre and structure of the fourth movement of "Song of the Earth",this work is briefly explained.The second is the orcharding analysis of the fourth movement of "Song of the Earth".The orcharding analysis of the fourth movement of "Song of the Earth" is carried out in three sections:the orcharding analysis of the exposition section,the contrast section and the reappearance section.Three is the song of the earth fourth music instruments technique of induction,mainly using the method of composing technique theory,on the basis of the theory of composing technique aspect knowledge,such as melody,harmony,polyphony,the fourth movement to the song of the earth instruments technique for refining,with the band strength and with the vocals,pipeline band texture writing,the structure of timbre configuration function with the characteristics of each instrument writing instruments technique of the work instructions.Through the study of the orchetics of the fourth movement of "Song of the Earth",this paper not only helps composers to create music works combining Chinese poetry with western symphonies,but also enriches scholars’ research direction of vocal symphonies.We should not only inherit our own national traditional music culture,but also extensively absorb nutrition from western symphonies,and start from the traditional and national characteristics of China to create music with both local cultural characteristics of the motherland and international.And combined with western music technology,make it serve Chinese traditional culture,to explore a new Chinese music development path.