Alienation And Nothingness:Tim Eitel Research On Painting Art

With the development of society,a diversified cultural pattern has gradually formed.In the early 20th century,German painting used photography,installation,performance and other new art as media,bid farewell to a single easel painting in terms of concepts and materials,but opened up painting.Painting with integrated materials integrated with photography and installation.Today’s German figurative painting,as a specific form after the end of the Second World War,usually exists with philosophical theories.As an artist currently active in German figurative painting,Tim Eitel regards easel painting as a pioneer of post-modern possibilities.He describes it as a metaphor in a conceptual,abstract,and rapidly post-war culture.More meaning in the picture.This article studies Tim Eitel’s paintings from the perspective of alienation and nothingness.It is divided into five chapters to study Tim Eitel’s paintings.The first chapter is based on Tim Eitel’s social background and growth experience,sorting out the background of the artist’s era;Chapter Two roughly categorizes Tim Eitel’s creation into three stages according to time,and narrates his painting content at different stages;The third chapter analyzes the alienated realistic painting language in his works from the perspectives of the specious abstract space in Eitel’s paintings,the abrupt existence in the replacement context,and the deep and confused gray;the fourth chapter refines the philosophical significance of Tim Eitel’s art paintings in the spiritual aspect.Use the concepts and metaphors in the work to explain the alienated features and nihilistic mental state of the work,and put in the related philosophical connotations;Chapter 5 summarizes the realistic meaning of alienation and nihilism in Tim Eitel’s works,and as the backbone of contemporary concrete representations The importance of painting.