The Religious Source Of Heidegger’s Denkweg

This dissertation focuses on the religious source of Heidegger’s thought.The research is mainly carried out starting from four aspects,whose highlight is constituted by four superimposed/progressive layers closely related to the religious source of Heidegger’s thought: the relationship between hometown and "genesis";the relationship between religion and history;the relationship between faith and existence;the relationship between the danger of the era and salvation.More specifically,based on his unique understanding of the actual existence,Heidegger achieved a profound insight into the important difference between the actual history and the objective history.On this basis,Heidegger rebuilt the historical condition of the research on religious thought.The discussion on this aspect enabled Heidegger to have a more refined understanding of the interpenetration between Christian theology and metaphysics on the ontological level,and also provided important insights to his investigation of the essence of metaphysics.The influence of the religious source of Heidegger’s thought persisted in his later Gedanke,and it can be detected especially in his recondite analysis of metaphysics.Through the analysis of the metaphysical "Onto-theo-logy" mechanism,Heidegger found a "God" as the highest basis or "Causa sui",and revealed the key role of this God in the metaphysical framework.In Heidegger’s view,the matter that God becomes the highest basis is not an isolated Gedanke Sache,it on the ontological level signified the deep forgetting of the truth of Sein.The most extreme expression of this forgetting is the coming of technological era.In Heidegger’s view,technology is the final product of nihilism,and nihilism itself is a sign of the completion of metaphysics.Behind this logic,there is the long-term concealment of the "divine dimension" in the technological era.This insight finally came to be a momentous impetus that impelled Heidegger tried very devoutly to revert the salvation of the technological era back to the "poetic dwelling" of the " divine dimension ".