| The Tang Dynasty was the most glorious era of Buddhist art.Along with Buddhism being introduced into China from India,flying apsaras completed the process of sinicization in the Tang Dynasty and became a religious art with Chinese cultural flavor,which was widely distributed in various regions.The shape,outline of lines and changes of colors of the flying apricot in the Tang Dynasty all have a vivid sense of fluency and rhythm,presenting in front of the world with a strong sense of rhythm,and becoming the symbol of the religious art of the Tang Dynasty and the classic symbol of Chinese culture,which has a high artistic value.Many scholars at home and abroad studied flying apsaras in the Tang Dynasty.The origin,localization,shape,image,clothing and other aspects of apsaras are studied.Although the article also involves the beauty of the rhythm of apsaras,it is also a scattered analysis and lacks a comprehensive analysis and summary.The sense of rhythm in the art of "flying apsaras" has strong uniqueness.This paper takes the sense of rhythm in the image of flying apsaras in the Tang Dynasty as the breakthrough point to deeply analyze,in order to elaborate the artistic charm of traditional Chinese painting.This paper will take the rhythmic beauty,one of the forms of artistic beauty in the flying apsaras of Tang Dynasty,as the main research content,which is divided into five parts.The first part grasps the origin and evolution of apsaras image from the macro point of view,analyzes the artistic style of apsaras image before the Tang Dynasty,so as to pave the way for the analysis of apsaras image in the Tang Dynasty.The second part through the analysis of the Tang Dynasty in each area of the Flying Apparatus art image characteristics and features to confirm the Tang Dynasty flying art image bright.The third part is the specific analysis of the artistic beauty of the flying apsaras in Tang Dynasty,and the study of the unique rhythmical beauty of the flying apsaras in Tang Dynasty under the influence of the artistic style of The Times.The fourth part analyzes the aesthetic feeling of Tang Feitian’s artistic image and discusses the reasons for the formation of the rhythmical beauty of Tang Feitian.The fifth part elaborates the influence and inspiration of the unique aesthetics of the flying appointice art image in Tang Dynasty on the creation of meticulous figure painting.The author tries to combine the artistic language and traditional Chinese aesthetics revealed in the image of "flying Apparatuses" in the Tang Dynasty with the creation of contemporary meticulous brushwork characters,to create the artistic works with the spirit of The Times and personal style,and to inherit the national artistic spirit. |