The Image Of Rural "Newcomers" From The Perspective Of "Aesthetic Viewpoints And Historical Viewpoints"

This article takes the image of the rural "newcomer" in Guan Renshan’s rural novels as the research object,and uses the research perspective that combines "aesthetic and historical viewpoints" to explore the types and aesthetics of the rural "newcomer" image in different stages of historical development.Features,and analyzes the deep reasons for the formation and development of its aesthetic form from the perspective of society,economy,culture,and creators,and summarizes the contemporary value and significance of the image of rural "newcomers".The main body of this article is divided into three parts.The first chapter analyzes the rural "newcomer" image in Guan Renshan’s rural novels from the perspective of historiography.Firstly,it summarizes the social basis of the image of rural "new people" in Guan Renshan’s works from the three aspects of land system,urban-rural relationship and national policy.The period from the 1990 s to the first two decades of the new century was the peak period for Guan Renshan to create the image of rural "new people".During this time,China’s rural society has undergone earth-shaking changes.The land system is an institutionalized manifestation of the relationship between man and land,and to a certain extent represents the development trend of the countryside.In order to solve the restriction of the land contract system on rural development,the state has issued a land transfer policy,which is to a certain extent for the development of rural areas.Brings new possibilities.At the same time,with the rapid development of the market economy,the development relationship between urban and rural areas is becoming more and more unbalanced,and the relationship between urban and rural areas has become more and more tense.With the country’s policy regulation,the relationship between urban and rural areas has also become more and more tense.Gradually,it tends to relax and become a cooperative and integrated relationship.This is manifested in the literature as the isolation between urban space and rural space,as well as the psychological emotions and attitudes of the rural "newcomers" towards the city.With the country’s deepening of the traditional industrialization development path,ecological civilization has gradually become an important topic of the times.The construction of ecological civilization and rural revitalization have provided new development ideas for rural and rural "new people" to a certain extent.Under such a social background,Guan Renshan has portrayed the three types of rural "newcomers" images: land contractors rooted in rural areas,leaders in returning to the country to carry out land transfers,and cultural thinkers in the process of urban-rural construction.These three types of rural "newcomers" The image shows that under the background of the development of the times,the rural "newcomers" have continuously strengthened their historical subjectivity and status.The second chapter analyzes the rural "newcomer" image in Guan Renshan’s rural novels from the perspective of aesthetics.People are the creators and practitioners of history."Realistic people" work and produce according to the laws and standards of beauty.With the development of social productivity and production level,social existence will not only affect social consciousness,but also affect a society.The overall aesthetic form of the period.Therefore,the development of the image of rural "new people" also follows certain logic and laws.The Xuelian Bay style novels created by Guan Renshan in his early period symbolize the aesthetic ideal of classical harmony.However,as the rural young people bring modern ideas and tools into Xuelian Bay,the beauty of the classical harmony of Xuelian Bay has also faded away;Plain novels such as "Heaven and Earth" and "Maihe" directly face the development reality of rural areas.The rural "newcomers" such as Bao Zhen and Cao Shuangyang,who are carrying heavy burdens in real contradictions,have lofty beauty of tragic and majestic.Jin Muzao jumped out of the economic level,reflecting on the road of rural development from a higher cultural and ecological level,reflecting the ultimate pursuit of "goodness".With the gradual advancement of development,Guan Renshan created Fan Shaoshan,an ideal rural "newcomer" image in "Golden Valley Silver Mountain",representing Guan Renshan’s ideal rural "newcomer" who can interact with himself,society,and society.The ecology reaches the realm of harmonious beauty.The third chapter reflects and summarizes the contemporary significance of the image of rural "new people".Mao Zedong’s "Speech at the Yan’an Forum on Literature and Art" clarified the direction of literary and artistic creation "for the masses".Although literature and art have got rid of their status as a political tool since the new era,literary creation has shown a more free development trend.However,there are still many writers like Guan Renshan who have a strong sense of social responsibility and insist on carrying forward the social reflection and critical functions of literature.Contemporary writers’ shaping of rural "newcomers" on the one hand adds a typical image to contemporary Chinese literature,and on the other hand,in the context of the marketization of literature and art,they also call on writers to be aware of their own social subject consciousness and take the initiative to assume social value.At the same time,In the context of the turning of aesthetic research to practical issues,the image of the rural "newcomer" that closely integrates with the current rural reality also provides literature and art practice materials with practical value for aesthetic research.