Research On Huang Tingjian’s Late Creative Mentality

The changes in the number of texts created by Huang Tingjian in his later period,the choice of writing styles,the presentation of writing tendency,and the change of creative ideas construct the dynamic psychological longitude and latitude of literati.Diachronically,Huang Tingjian’s mood changes in his later period were explored in the ups and downs of his emotions.From the beginning to his banishment,he experienced the resistance of closing doors and windows and refusing guests,and gradually integrated into the local conditions and customs of his banishment to get some comfort.However,he could not avoid the thought of life’s impermanence,and finally achieved an optimistic attitude in his fate.Synchronically,Enriching Huang Tingjian’s characters during his banishment in the warmth and grief of joys and sorrows,Feel the common warmth of his short-term reunion with his relatives,the help of his friends,and the hospitality of the villagers,and realize the multiple tests of his bereavement,farewell to his friends,and illness.This paper consists of three parts: introduction,text and conclusion.The introduction defines the concept of "creative mentality",combs the existing research results based on the reason of topic selection,and describes the purpose of topic selection and research methods.The main body is divided into five chapters.The first chapter is to analyze the life course and psychological construction of Huang Tingjian in the late period.Combined with the scholars’ discussion on the stages of Huang Tingjian’s poetry creation,prose creation and calligraphy art,the author defines his life stages,and takes the seven years of Yuanyou’s death as the beginning of his later life and his writing career.Taking the text content as the starting point,referring to the historical books,literature history,chronological records and the database of Wang Zhaopeng’s "annual map of Tang and song literature",the author constructs the traces of Huang Tingjian’s relegation in the late period,namely,the rural residence Dingyou,the placement of Qianzhou,the placement of Rong state,standby Jingzhu and Jiguan Yizhou,and overall grasp the life,travel and creation mentality of Huang Tingjian in the late period.The second chapter discusses the specific creation situation of Huang Tingjian in the late stage,sums up the creative tendency and understands the psychological implication of the creative subject.From the perspective of the quantity of creation,compared with the middle and the early period of life,the number of poems in the late period decreased,the number of words and articles increased,reflecting the style of personal daily life,the number of inscriptions and letters increased.This kind of communication is not very strong literature carrier can often show more private feelings,showing sincere feelings,which reflects the self-protection of the literati out of the psychology of avoiding disaster.Huang Tingjian advocated the poetry chanting sentiment,advocated the temperamental emotion,reflected a kind of more moderate creation mentality.In his late life,Huang Tingjian paid attention to study and study,and was infatuated with cultivating his vieal spirit.He often combined literary creation,calligraphy and painting skills,studied Zen thought carefully,tried to penetrate Buddhism,understand life and life and death.These creative tendencies express or imply that the creative subject,under the pressure of political pressure,has the most real mentality of avoiding disasters,neutralization and introspection,reflecting the spirit of seeking for the Song Dynasty,namely the digestion of "saving the time and the way of doing",the exploration of the subjective psychological meaning and the construction of introspection.The third chapter discusses the aesthetic psychology of Huang Tingjian’s late creative style.From the style of work and art skills,the author’s personality spirit is reflected,and the aesthetic psychology represented by this artistic change is summarized.In this process,we should pay attention to Huang Tingjian’s acceptance and evaluation of the former sages Tao Yuanming,Dufu,Hanyu,Liuzongyuan,contemporaries and later studies,and analyze them in combination with Huang Tingjian’s own creative practice.Huang Tingjian’s late creative skills were pure and green,corresponding to his spiritual life "to change the bones".His creative idea of "taking the reason as the new and the custom as the elegance" is the representation of the aesthetic purport and the elegance of the literati in Song Dynasty.The creation comes from life.Huang Tingjian draws his life experience and life experience from his later composition books,which realizes the "no trouble rope cutting and self combination" from following the rules to surpassing the rules.However,with the age of not only creative skills,but also old,but not old,through life and death,indifferent to the rate of mind.This kind of plain and idle style of writing is the symbol of the author’s indifferent attitude of self-discipline.The fourth chapter expounds the motivation of Huang Tingjian’s late creative mentality.In the Song Dynasty,the most important social and political background and ideological and cultural background of the outside world acted on the mentality of scholars and gave them a steady stream of creative impulses.Therefore,Huang Tingjian felt the invasion of foreign enemies,treated the monarch somewhat,and because he was involved in the political whirlpool of party struggle,he gradually introspected.The integration of Confucianism,Buddhism and Taoism reconciled the contradictions between Huang Tingjian’s official and seclusion,body and mind,and finally made him in a state of seclusion.At the same time,the harsh natural environment of the relegated area brings together too many challenges and enlarges the fighting mood of the creative subject.The people living in this land are hospitable and charitable,actively accept the relegated people and deeply stay in them,which gradually affects Huang Tingjian’s relegation.At the same time,the information he received about the life and death of his relatives and friends often affected his creative heart.These comprehensive factors make Huang Tingjian’s late ups and downs of creative mood on paper.The fifth chapter analyzes the evolution process and self adjustment of Huang Tingjian’s late creative mentality.This paper adopts the method of diachronic combing and synchronic observation,taking Huang Tingjian’s banishment in his later period as the clue,combing and grasping his phased life,friendship and creation,summarizing the aesthetic taste reflected in his poems in each stage,and presenting the dynamic change process of Huang Tingjian’s creative mentality in his later period in a three-dimensional way.Focusing on the changes of the terrain,climate,food and daily life of the relegated area,his attitude towards life has changed from being closed and indifferent to people to being close to nature and adapting to nature,and his mentality has gradually changed from fighting and sadness to plain and comfortable.At the same time,he also pays attention to the process of how to adjust himself and how to achieve the balance of mentality when Huang Tingjian is in a low state of mind.He is good at getting comfort from the warmth of the world.The short company of his relatives and friends makes him get spiritual satisfaction and temporarily ease his relegation mood.However,because of the death of his relatives and friends,he laments the impermanence of life and falls into silent meditation.He attached great importance to "taking care of himself with reason" and held the optimistic attitude of following fate.He gradually resolved the persecution of party struggle and the suffering of illness.He cultivated his mind with erudite and diligent knowledge and showed his free and detached feelings in the idyllic habitat.