Research On The Urban And Rural Space Construction Of Family Ethics Dramas Of "Phoenix Man" And "Peacock Girl"

In the past ten years or so,the marriages formed by the "Phoenix Man" and "Peacock Girl" in the family ethics drama of marriage and love are often not favored and have become synonymous with "problem marriage" and act on major online platforms to construct a discourse space system..The broken marriage of the two in the film and television drama is often attributed to the invasion of the nuclear family space by the Phoenix male family,and its extension points to the relationship conflict within the urban and rural space.Accompanied by the "spatial turn" that occurred in Western academia,Promote the transformation of the research perspective from the linear development of historical time to the space of real life itself.After this idea was introduced into the study of film and television dramas,it provided us with the possibility to understand how the urban-rural relationship in the family ethics drama of "Phoenix Man" and "Peacock Girl" was attached to the construction of space.However,in family ethics dramas that reflect "social conflict",the relationship between the mirror space and social reality is complex and subtle.The construction of urban and rural spaces produces deep cultural concepts and social logic.On the one hand,it is the reflection and sublimation of social reality,and its internal spatial construction entails multiple demands and great tension;on the other hand,it has become an important force in shaping the consciousness of urban and rural subjects and reconciling the relationship between urban and rural areas.Based on the analytical framework of space theory,the author starts social thinking about the construction of urban and rural spaces in this type of family ethics drama.It can be found that the rural space construction of the "Phoenix Man" native family attached to the image space and the shaping of the narrative space in the urban and rural groups’ behavior,image and other elements are distorted,formulaic and even stigmatized,and then produce the opposite.The question of the original sin of "Phoenix Man" ’s origin and the one-dimensional mechanism model of the power space in the solidification of the class.The main body of the article is divided into 5 chapters.The first chapter analyzes the scene space intervention from the two levels of urban and rural spatial image and representation,trying to sort out the urban and rural era in the transitional period and the deep emotional trend of the characters under the "humanized" spatial representation from a macro perspective;the second chapter Continuing the previous chapter,from a micro perspective,go deep into the text of this type of TV series to explore the conflict and integration of urban and rural groups under the construction of narrative space;the third chapter is based on the previous two chapters,using psychological space as a higher entry point to interpret The psychological identity of urban and rural groups;the fourth chapter is based on a more complex cultural context and combined with Foucault’s theory of power,revealing the power and social cultural connotations generated through the process of visual art presentation and retelling;The five chapters once again return to the main body of TV dramas from a macro perspective,re-examine the problems that TV dramas have revealed in the process of building urban and rural spaces,and reveal the reasons why audiences have imaginary fear or even dislike for rural groups and rural spaces.