Study On The Secularization Of Dai Jin’ Images Of Fisherman

As an important cultural symbol in ancient literary and artistic works,"Fisherman"appears in landscape paintings largely through historical changes.Most of the Fisherman refers to recluse,which expresses the liberating feelings of literati and officials and their yearning for recluse life.However,in the landscape paintings of the early Ming Dynasty,fishermen not only symbolized seclusion,but also had secular significance.The most typical one is the images of fishermen painted by Dai Jin of Zhejiang School,which depicted the working scenes of ordinary fishermen or vulgar and wild things in daily life.As a leading figure of Zhejiang School,Dai Jin dabred in a wide range of painting themes.He not only painted landscape paintings of literati interest,but also chose to observe the secular life.Compared with the images of fishermen in the Song and Yuan Dynasties,the clothes and appearance of fishermen shaped by Dai Jin have the characteristics of common people and the professional characteristics of fishermen.It can be seen that compared with the images of fishermen symbolizing recluse,the signifier and signified of the fisherman symbols in Dai Jin’s works have changed,no longer expressing the feelings of recluse,but turning to the secular.The secularization tendency of Dai Jin Fisherman’s images is not only influenced by his professional identity but also closely related to the art market and political background in the early Ming Dynasty."Secularization" develops along with the process of civil society,which is an ongoing state in the course of social development.In different historical periods in ancient China,"secularization" form of expression is different,so the concept of"secularization" should be how to define,"secularization" characteristics of the Ming society compared with the civil society in the song dynasty,what are the similarities and differences between Ming "secularization" phenomenon brought what are the effects of literary and artistic creation,and from the perspective of painting rheological interpretation,Whether there is a connection between the "secularization" of fisherman’s images and the development of mainstream painting history,there is still much room for discussion on these issues.Therefore,this paper takes Dai Jin’s images of fishermen with secularization tendency as the research object,and carries out in-depth research from the aspects of secularization concept and social connection,structure concept of Dai Jin’s images,the relationship between the secularization phenomenon of Dai Jin’s images and the evolution of painting history,and its influence on later painters.and explores the influence of Dai Jin’s fishing music paintings on the mainstream painters of Zhejiang and Wumen School,as well as the unique aesthetic value and painting history value of Dai Jin’s paintings.