A Three-point Study On The Color Of Meticulous Figure Painting In The New Period

Since the new period,great changes have taken place in the color of Chinese meticulous figure painting.The development of The Times has prompted Chinese meticulous figure painting to make changes in line with the current aesthetic,and the color has walked out of the trough under the choice of The Times.Throughout the fine brushwork figure painting colour in new period since the national arts exhibition,its finished diversity,decorative,plane shift,from the performance objective natural color to give priority to with artists aesthetic personality,absorbing the western theories and Japan color view,since modern times and the orchestration of the plane form and colour forming into color,pay attention to express feelings at the same time into the use of many rational knowledge,fine brushwork figure painting in the use of colour is more and more mature,has produced many times,artistic quality and view and admire a gender,both ability and political integrity of outstanding works.This paper starts from three aspects,combines the author’s creation,with the mentality of drawing lessons from,from the perspective of rational analysis of color relations,to the new period of meticulous character color application to do a more profound research.The first chapter mainly starts from the fifth to the thirteenth national art exhibition since the new period to explore the contemporary characteristics of the color of meticulous figure painting in the new period.The second chapter analyzes how the painter deals with the relationship between the character color and the environment color in the picture.The third chapter compares the similarities and differences between the new and the old(taking sun zhensheng and jiang caiping as examples).The fourth chapter expounds the influence of the color of meticulous figure painting on the author’s painting creation in the new period.