On The Construction Of Subjectivity In Luo Heizhi’s Novels

In the history of modern Chinese literature,the writer Luo Heizhi is not well known,even the basic information about him that is currently circulated is incorrect,and with the passage of time,his works have gradually been submerged.It does not mean there is no research value about him,on the contrary,throughout his entire career,his literary works can be excavated.Based on his special life experience,he constructed his own characteristics by using his unique thinking mode and aesthetic vision:On the one hand,Luo Heizhi’s works give full play to the subjective initiative of the writing object,rather than regard the characters as playthings;On the other hand,as an important part of literary creation,Luo Heizhi also showed his main strength in the process of writing.However,most of the limited research on Luo Heizhi has stopped at the level of introduction,and the excavation of his works is not detailed enough.So,this paper focuses on the strong "subjectivity" characteristics of his novels and makes an in-depth analysis in four chapters,on the whole,based on the writer’s life experience,this paper focuses on the two existing novel collections,and combines with Liu Zaifu’s theory of "literary subjectivity",trying to demonstrate the characteristics of Luo Heizhi’s novels.In the first chapter,on the basis of literature research and data integration,Luo Heizhi’s life experience is sorted out,and the current misinformation is discussed and corrected to provide a historical basis for the following text;In the last three chapters,guided by Liu Zaifu’s theory,this paper discusses the construction of the subjectivity of the creative object and the subjectivity of the writer in novels: the second chapter focuses on the female writing in Luo Heizhi’s novels.Through the analysis of the psychological description of the prominent female characteristics in the text,the main body cognition and behavior of female characters from the inside out,it interprets the uniqueness of Luo Heizhi’s breakthrough of gender barriers as a male writer,as well as the subjectivity given to the creative object.Then the paper focuses on the writer’s spiritual subjectivity.Starting from the writer’s melancholy experience and the concept of pursuing "freedom",this chapter explores the creation motivation of Luo Heizhi’s related novels.In addition,it also analyzes the author’s emotional activities in the specific creation.These two internal mechanisms belong to the performance of the writer’s spiritual subjectivity proposed by Liu Zaifu.According to Liu Zaifu’s theory,this subjectivity emphasizes that the writer’s own will should be followed in his writing skills.Therefore,this chapter focuses on the breakthrough and innovation of the writer’s genre.Starting with Luo Heizhi’s characteristics of not sticking to the traditional novel creation mode,it elaborates in detail the weakening of the plot and the emphasis on the creation of the novel Psychological time,good use of metaphor and artistic conception make the novel incline to poetry,break the stylistic boundaries,and further show how the writer plays his subjectivity in the creation practice.