| With the continuous deepening of reform and opening up,cultural and other factors have participated in the construction of the language of contemporary Chinese painting,and Chinese painting has also been rejuvenated by the "modern changes" of pigments.Pigment is the direct carrier of color concept.By studying the use of pigment in different periods,we can find out the dominant structural characteristics of the change of color concept in this period.The history of pigment development and expansion represents the development process of the history of Chinese painting to a certain extent.Starting from the change of pigment use in Chinese painting,this paper discusses its modern transformation,so as to re understand the relationship between tradition and modernity,and then discusses the contemporary semantic structure of pigment use in Chinese painting.Starting from the use of pigments in each period,this paper focuses on the problems of pigments and the concepts behind them,finds the morphological characteristics corresponding to the modernization of color concept in the field of pigment use,and explores the deep-seated reasons for the change of color concept in modern Chinese painting while deconstructing the tradition,so as to reflect the true color language of Chinese painting and provide the basis for the formation of Chinese painting for a long time The unique aesthetics of scenery and language infuses new vitality and provides new ideas for the creation of contemporary Chinese painting. |