Research On The Relationship Between "Yuzhang Four Hong" And Buddhism In The Northern Song Dynasty

In the history of Chinese classical poetry,the poetry of Song Dynasty is another peak after the poetry of Tang Dynasty.Qian Zhongshu also said that the difference between Tang and Song poetry is actually only the difference of poetic style.Poems of the dynasties after the Song Dynasty,though they had their own achievements,were no longer confined to the Tang and Song dynasties.The poems of Tang and Song dynasties have their own merits.To some extent,the poetry creation of Jiangxi poetry school is the typical representative of Song poetry.Lv Benzhong on its "jiangxi poetry club sectarian figure" in the first mention of the concept of "jiangxi poetry",huang tingjian chased into poetry,the founder of the Chen Shidao,Han Ju,Xu Fu,Pan Dalin,Pan Daguan,Hong Peng,Hong Chu,Hong Yan,Xia Ni,Xie Yi,Xie Ke,Rao Jie,Zu Ke,Shan Quan,Lin Mingong,Lin Minxiu,Chao Chong Zhi,Wang Ge,Yang Fu,Li Peng,Wang Zhifang as a member of the poetry.Huang Tingjian took Du’s poems as the object of his poetic method,put forward the poetic creation program of "turning iron into gold" and "transforming one’s whole being",summed up all kinds of poetic styles and methods,and patiently assisted the later generation.From the end of the Northern Song Dynasty to the middle of the Southern Song Dynasty,a large number of readers were directly or indirectly influenced by his poetic thought,which made the "Jiangxi Poetry School" in this period of great strength.Hong Peng,Hong Chu and Hong Yan lived at the end of the Northern Song Dynasty and at the turn of the Song Dynasty,and they were important members of Jiangxi Poetry School.Based on the relationship between Yuzhang Sihong and Buddhism,this paper investigates the influence of Buddhism and Zen on their thoughts and creation,combines the personal experience of Yuzhang Sihong with the political and cultural ecology in the late Northern Song Dynasty,and explores the aesthetic taste and Buddhist thought behind their poems through detailed reading.The narrative is mainly divided into four chapters:In the first chapter,the names of temples appear in the poems of "Yuzhang Sihong",the geographical location of the temples is researched,the regional distribution of the temples in the poems is understood,and the external environment for the formation of the ideological content and artistic style of the poems is analyzed.The second chapter mainly studies the relationship between "Yuzhang Sihong" and Zen master and friends.The textual research on the buddhist activities of the buddhist masters and their friends can help us to have a more three-dimensional understanding of the buddhist influence of "Sihong".The third chapter,starting from the extant poems of "Yuzhang Sihong",explores the acceptance of Buddhism in their poems.In their practice of poetry creation,they borrowed Buddhist scriptures and books into their poems to integrate the Zen principles and poetic images,and their poems presented the typical characteristics of the Zen principles and the Zen interest of the Song poetry.This chapter analyzes the poems of "Sihong" on the basis of Zen and supplemented by other schools of Buddhism.The fourth chapter mainly discusses the comparison between "Sihong" poetry and his friends of the same school of poetry.This chapter is mainly developed from two aspects: first,it discusses the differences in the degree of Zen borrowing in the poetry creation of "Jiangxi Poetry School";Secondly,it deeply analyzes the writing personality of Sihong’s poems.