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Language And Method

Posted on:2022-10-16Degree:MasterType:Thesis
Country:ChinaCandidate:Y J HouFull Text:PDF
GTID:2505306554962979Subject:Art
Abstract/Summary:PDF Full Text Request
As the creator of the subject in the face of the object,to explore the unique expression of painting,the establishment of personal visual aesthetic angle,is the subject that the creator must face.Breaking through the existing paradigm of image itself and transforming the normative features of image is also an important link in the process of establishing its own aesthetic structure.The cultural environment in which the creator was born and the aesthetic training he received all transform people’s perspective on concrete images.Printmaking was born in the need of image communication,and its practical value has brought a natural channel to establish images.In today’s environment,through the use of printmaking thinking methods,printmaking unique way of work,printmaking ontology language as a weapon,so that the creator jump out of the traditional logic of constructing the picture,establish the image language.It is a difficulty that printmakers have to overcome.Through the analysis of the cases of contemporary artists’ image language establishment,this paper leads to the influence and Inspiration of the author in the establishment of image language with individual characteristics.Combined with his own practice,this paper discusses what important influence he will receive in the process of establishing image language,and what great role the extension of printmaking thinking plays in the image language of the creator.This paper is divided into four chapters,respectively,about the background of image reproduction to the establishment of image language.Cultural history,living environment and aesthetic quality will imperceptibly influence the appearance of images(Chapter one).As a printmaker,it is also a powerful weapon to establish image language by using the inherent logic and concept of printmaking creation.The unique working method in print creation will change the perspective and thinking mode of the creator(Chapter 3).Moreover,the two-dimensional nature,indirectness,plurality and other ontological language of printmaking are full of possibilities,which will constantly transform the image language of the creator(Chapter 4).In this paper,I illustrate the establishment of image language from the aspects of internal thinking,printmaking concept,working mode and ontology language.Combined with my own practice and experience,I demonstrate the influence of the establishment of image language in the process.I hope that through these simple carding,I can help the creators to clarify their ideas on the road of self-expression and find the direction to establish a unique image language.
Keywords/Search Tags:Image language, printmaking thinking, working mode, error, trace, ontology language
PDF Full Text Request
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