Study On Li Juan’s Prose From The Perspective Of Reception Aesthetics

Li Juan,a writer in Xinjiang,has won attention at home and abroad for her description of Xinjiang’s natural scenery and Kazakh culture.The popularity of her works has become a special phenomenon of literary acceptance.This paper mainly takes Li Juan’s prose as a close reading text,and discusses how Li Juan’s prose meets readers’ aesthetic expectations from the aspects of language style,cultural writing,and Li Juan’s Prose’s consideration of contemporary people’s living conditions and ecological care.The writing of Kazakh culture and local knowledge in Li Juan’s prose provides readers with different cultural vision.At the same time,excellent prose writers will not only meet readers’ expectation vision,but also shape readers’ expectation vision.Li Juan’s prose is different from the previous prose because it has made changes in the original prose writing mode,and her "presence" status has become an attraction to readers’ vision.Based on the theory of reception aesthetics,this paper focuses on the relationship among "writer,work and reader",draws on the relevant theoretical concepts of Reception Aesthetics-"expectation vision","aesthetic distance" and "implied reader",and comprehensively analyzes the cultural significance of Li Juan’s prose and the two-way interaction with reader’s reception.There are four chapters in this paper.The first chapter introduces the background,significance,research methods and ideas of this paper.This paper first compares Li Juan’s prose with the works of Hong Ke and Wang Meng,who are the same writers of Xinjiang culture.Secondly,it compares Li Juan’s prose with the works of Liu Liangcheng,a native writer in Xinjiang.Thirdly,it compares Li Juan’s prose with the works of Zhang Chengzhi,a Hui writer in Xinjiang.Finally,it compares Li Juan’s prose with the works of other female writers of the same age,Thus,it affirms the important position of Li Juan’s prose in contemporary Xinjiang cultural writing.Now the research on Li Juan’s prose is limited to the writer’s point of view,lacking the analysis of readers’ acceptance.Therefore,it will be a new idea to study Li Juan’s prose based on the theory of reception aesthetics.The author wants to use this research method as a supplement.The second chapter,based on the readers’ psychology of seeking quietness,difference and truth,further explains the satisfaction of the aesthetic psychology of the original ecology and natural image in Li Juan’s works to the readers’ expectation vision.The third chapter explains the construction of "aesthetic distance" in Li Juan’s prose creation.Starting from the construction of macro aesthetic space,Li Juan finds the best narrative perspective "mobile store",and then develops a subtle and appropriate aesthetic distance with the writing object and the implied readers because of the movement and exchange of viewpoints.The fourth chapter discusses the gain and loss of Li Juan’s prose from the perspective of reception aesthetics.This chapter summarizes Li Juan’s prose from the aspects of "light prose",the sense of substitution of "present prose",the current nothingness and "distant Poetics",the cultural perspective of cultural prose,and so on.This paper points out the relationship between the external perspective,legend,pattern and the weariness and laziness of readers’ reading and the mode dilemma faced by Lijuan’s cultural prose.