A Study On Wangjiangnan And Its Evolvement By Song Jin Yuan

According to the "Complete Song Ci" and "Quan Jin Yuan Ci",there are 335 "Wang Jiang Nan" poems,including 157 Chinese poems,150 Taoist poems,and 28 Buddhist poems.The three account for the total number of "Wang Jiang Nan" poems in the Song,Jin and Yuan Dynasties.The proportions are 46.9%,44.8%,and 8.4% respectively.From this proportion,it can be seen that Taoist words in the "Wang Jiang Nan" poems account for a large proportion.This article intends to study the evolution of the Song,Jin and Yuan Ci "Wang Jiang Nan" to Taoist writing.And to analyze the religious thinking reflected in it.This article is mainly divided into three chapters to illustrate the evolution of Song,Jin and Yuan Ci "Wang Jiang Nan" to Taoist writing.The first chapter explores "Wang Jiang Nan" from two aspects: traceability and system.The legend of "Wang Jiang Nan" has a long history and is full of charm.It has flowed from the capital city of Chang’an several times and merged into the Jiangnan region,blending with the gentle and delicate elements of Jiangnan.It was discovered by literati who lived in Jiangnan or served in Jiangnan in Tang Dynasty and brought it back to Chang’an,becoming a reminiscence of Jiangnan’s scenery.Exclusive poems,with many different names.Examine and distinguish the synonymous names that prevailed during the Song,Jin and Yuan Dynasties,and explore the earliest writings of "Wang Jiang Nan" Ci that evolved into Taoist writing.In terms of the system,the "Wang Jiang Nan" Ci in the Song,Jin and Yuan Dynasties did not change much.It was dominated by double tones and emphasized flat rhyming.Taoist poets paid more attention to practicability,rhyming was not very standardized,and there were more cases of cross-part rhyming,but less Confrontation.The second chapter first analyzes the evolution process,and then explores the specific content of the evolution from three aspects: from the subject matter,it presents a style that is completely different from that of literati,the belief of becoming an immortal,the daily life of religion,and the relationship with friends and disciples.Rewarding,singing and giving answers can be included in the words,with a strong Taoist color;the style presents two extreme developments,one is to explain Taoist terms in fairly simple and simple language,and to describe Taoist gods;the second is the use of metaphors and metaphors to bring obscurity and abstraction.Literary effect: The creation purpose of "Wang Jiang Nan" Taoist poems determines that it is a work whose main content is to promote doctrine,and it is more rational.The life rationality and practical rationality it embodies are also the core of Taoist thought in the Song,Jin and Yuan Dynasties.At the same time,the integration of Taoist fairy stories and so on also adds a magical color to the poetry.The third chapter analyzes the reasons and value orientation of "Wang Jiang Nan" to Taoism writing.Due to the preaching of ci and other reasons,the scope of Taoism themes has been gradually expanded.Song,Jin and Yuan ci writing to Taoism is actually a common phenomenon of the era,from the point of view of value orientation The integration of Taoist themes increased the rationality of ci,promoted the development of vulgar ci,and played an important role in the evolution of ci and music.