On The Freehand Style Of Chen Hongshou’s Water Margin Leaves

Chen Hongshou is a culture,artistic accomplishment is very high big artist,traditional Chinese painting figures,landscape,flowers and birds are all fine,his painting style is transcendent and refined,there is no lack of elegance in the simple.especially his figure painting modeling is peculiar,the image of Gao Guqi,known as"three hundred years without this ink";His printmaking works are considered by scholars at home and abroad to represent the highest level of printmaking in the Ming and Qing Dynasties,and the figure printmaking based on Chen Hongshou’s printmaking works began to form a system and develop continuously.Chen Hongshou’s modeling characteristics,artistic style and innovative spirit not only had an impact on the "Eight Eccentric Artists of Yangzhou" and "Shanghai Painters",but also had a profound impact on the development and innovation of modern figure painting,and even indirectly affected the painting style of Japan and post-Impressionism.In the late Ming dynasty and early Qing Dynasty,Chen Hongshou was a great painter linking the past and the future-This paper based on the analysis for the era background,character and destiny of Chen hongshou,ancient instead of the old process study,and the understanding of the absorption process of folk art,achieve finally by "stylized" to "personalized" metamorphosis,again,to Chen hongshou "water margin leaves" as a case,to the "free" in traditional Chinese realistic painting mining and analysis,Broaden and deepen my understanding of the definition of "freehand brushwork":freehand brushwork is a painting technique,but also a spirit of image concept.On the basis of the freehand brushwork spirit,through the analysis of the artistic style of "Gaoguqi horror" highlighted by the lines and shapes of"Water Margin Leaves",it will eventually affect my view of sculpture and guide my direction and concept of modern freehand brushwork figure painting.