Research On Yu Feian’s Flower And Bird Paintings Color Expression

Xie He in the Wei and Jin Dynasties proposed "color with class" in his six dharmas.The traditional meticulous flower and bird painting takes line as the bone and color as the supplement.It can be said that color has been inseparable from meticulous flower and bird painting since its birth.Meticulous flower and bird painting reached its peak in the Song Dynasty.The creation of the painting academy was the most prosperous in the Huizong period of the Song Dynasty,and its development has gradually declined since the Song Dynasty.The mainstream literati in the Ming and Qing Dynasties thought that meticulous painters were kitsch,which was far from the literati integrity advocated at that time.In modern times,the brilliance of meticulous flower and bird painting no longer exists.In the history of modern Chinese painting,Yu Feiyan focused on the creation of meticulous flower and bird painting and made important achievements,which had an important impact on the modern Chinese art world.Yu Feian’s meticulous flower and bird painting starts with the double hook coloring of Chen Hongshou in the Ming Dynasty,which goes back to the song and Yuan Dynasties,it inherits the color mode of exquisite and beautiful makeup in the two Song Dynasties,it absorbs the color characteristics of folk art and other art forms.His meticulous flower and bird paintings are colorful and not vulgar,not gray and not thin,especially good at the application of contrast colors and similar colors.He is also the author of the book "Research on the color of Chinese painting",which has for us to learn meticulous flower and bird painting today.This article starts from the image of his works,which analyzes the color performance of Yu Feian’s works in various periods,and it analyzes and studies his color concept by comparing him with the works of Song people and Chen Hongshou,so as to provide more enlightenment and reference for the color creation of flower and bird painting.