Lingnan Painting School Ink Bamboo Painting Research

Chinese traditional ink bamboo painting art is far from a long history.After passing through painters,the theorism’s practice and exploration,it has formed a very systematic map.History is quite rich in painting,techniques,composition,and aestheticism of Mozhu,developed.But open the reel of the Nilling South Painter,"Two High One Chen" is a set of names we can’t ignore.They have proposed the innovation theory of "compromising Chinese and Western,integration of ancient and modern",has been followed by Lingnan Painting School.Lingnan painting absorbs the techniques of Japanese painting,integrating the characteristics of Western realistic styles,and the work is full of life,full of life,and the spirit of change."Lingnan Sanjie" disciples such as Guan shanyue,Zhao Shaoyang and others have formed their own painting winds on the basis of "trade-shek,integration of ancient and modern",and thus injecting a painting of the modern Chinese painting.Newborn power.However,in the form of a pattern,the system explains the study of the painting of Mozhu theme painting in the south painting flower and bird painting.It is not much.This paper tries to explore the inner link between the flower and bird painting art and Chinese culture behind the development of the Mulusan Painting Picture of Mouth Picture.In the discussion of the vectors in Mozhu,the artist’s artist has been a research scope,with a more specifically showing a certain historical stage ink painting art.In the research method,take historical evidence,take the map,to the history of the history,thereby launching conclusions,summarizing research results.This article made a rough historical installment in the Lingnan Painting Flower and Bird Painting,and the main Mozhu paintings of the three generations of human history were conducted.Starting from the background of the establishment of the Lingnan School of Painting,this paper attempts to fully understand the historical background,The form of expression,inheritance and innovation,and cultural orientation focus on the exploration of the inner literati painting connotation and the aesthetic inner relationship of the secular meaning in the taste of flower and bird paintings of the Lingnan School of Painting.It clarifies the concept of flowers and birds behind the ink and bamboo patterns of the Lingnan School of painting and the humanistic spirit of Chinese art.And from the transformation of ink bamboo painting and the transformation of aesthetic meaning as the entry point,it puts forward the important role of the understanding of ink bamboo painting in the creation of contemporary flower and bird paintings,and then concludes that the exploration of the Lingnan school of painting presents the development of the entire genre of painting.The new interesting point of view between the literati and the secular reality concerns more comprehensively and deeply shows the development track and historical significance of the flower and bird painting of the Lingnan School of Painting.In order to provide reference learning materials for the future development of Chinese flower and bird painting,so that it can develop vigorously.