| Chinese landscape painters have always observed and depicted mountains and stones as the main body.Due to the geological difference and the role of nature,the landscape painting is also colorful.Guo Xi in the Northern Song Dynasty established the important position of rocks with the "bone of heaven and earth",reflecting the lofty,simple,firm character and the Chinese nation’s unique reverence for nature reflected by the body of rocks in Chinese landscape painting.From Chinese painting "National People’s Congress in mountain" in the early stages of will present a variety of rocks,since the independence of landscape painting is through the observation and practice of painters in nature,created a unique technique of rock performance,after the "five changes" of landscape painting,a rich basic rock performance system has been constructed.However,in the development of modern landscape painting,the lack of creative consciousness,no breakthrough in performance techniques,form more than connotation,and even avoid the phenomenon of rock performance gradually revealed.Therefore,this topic will analyze and explore from the following aspects,which is expected to bring some theoretical basis and creative ideas for the creative practice and future trend of the new generation of landscape painters.First,combing the early performance of rocks,clarify the uniqueness and importance of rocks.Second,from the perspective of different regions to explore the traditional painting in the north and south of the rock painters.Third,further explore how the representative painters of modern innovation completed the breakthrough performance of mountains and stones through brush and ink,and trigger the author’s thinking on its inheritance and innovation.Finally,the author summarizes the feeling of copying and sketching,and comprehensively expounds how the landscape creators should form a unique rock art language from two aspects of techniques and ideas. |
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