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Cultural Concept And Contemporary Minority Literary Criticism

Posted on:2022-10-03Degree:MasterType:Thesis
Country:ChinaCandidate:X T QinFull Text:PDF
GTID:2505306779978919Subject:Journalism and Media
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Whether it is “culture is every aspect of daily life“represented by Raymond Henry Williams or“culture is ideologically expressive“represented by structuralists such as Roland Barthes,the blending relationship between cultural studies and literary studies has been reflected and recognized,and it can even be said that literary studies are a part of cultural studies.However,in view of the wide scope of the theory of cultural studies,this paper only discusses the concept of“culture“from the field of minority literature,that is,the problems caused by the entry of cultural concepts into thefield ofcontemporary minority literary criticism.Taking Foucault’s knowledge archaeology and genealogy as research methods,this paper combs and analyzes the related discourses and theoretical achievements on cultural studies in contemporary Chinese minority literature criticism,and explores the starting and advancing of the construction of cultural concepts in Chinese minority literature.Therefore,this paper including three chapters.The first chapter is about origin and transition of cultural studies.This chapter explores the origin and extension of the concept of culture and the problems caused by its transition to the field of Chinese minority literature.The second chapter is to observe the deep mechanism of three critical dimensions from the perspective of culture,which are: forming a dialogue between self and others;Secondly,it is found that some critics “reject the substitution of voice“,which shows their attitude of striving for interpretation of sovereignty;Finally,the construction of the cultural history view of “diversity and integration“gradually advances to the dimension of “diversity and symbiosis“.It can be seen that cultural concepts and criticism from different dimensions gradually build the subjectivity of minority literary criticism,and then emphasize the legitimacy of its existence.The third chapter describes the changes and reflections of cultural concepts in minority literature.This chapter digs the concept of “culture“ mentioned in the history of minority literary criticism since 1949 from historical materials,so as to observe the particularity of“culture“ in the field of minority literary criticism.In addition,this action intuitively presents the history of cultural semantic changes in the construction of minority literature theory,and reflects on the differences between mainstream literatureandcultureand minority literatureand culture.Nowadays,the cultural research of minority literature is in full swing.The concept of culture has already described the basic category of its own discourse practice in the field of minority literature criticism.It broadens the research field of minority literature criticism,to define the research scope of cultural concept in the field of minority literary criticism is one of the great importance of its subjectivity.
Keywords/Search Tags:cultural fever, Literary criticism of ethnic minorities, subjectivity, Semantic evolution, Differences
PDF Full Text Request
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