Words And Voices, Both Spirit And Form

The opera "wildfire spring wind fighting ancient city" by the chief political drama troup e director Meng Bing screenwriter,Wang Xiaoling lyrics,Wang Jiegu,Zhang Zhuoya compo sition,according to the famous military writer Li Yingru'snovel of the same name ada pted to create a modern national opera,mainly about the War of Resistance against Japan,th e representative figure of the Communist Party of China Yang Xiaodong and the lower party comrades common anti-Japanese twists and turns,eulogizing the party and people unity,the revolutionary spirit of the death.Opera selected paragraph "can not do filial piety to Niang" i s the hero Yang Xiaodong in the 11th act,through his own emotional catharsis,shaped his ir on bone tenderness and the Communists vows to death unyielding revolutionary hero image.Therefore,this paper studies and discusses the composition summary,character image analy sis,musical features and stage artistic image shaping of Yang Xiaodong,so as to accurately g rasp the singing research in the aspects of character image portrayal,emotion expression of n ationalization of spelling and line cavity,and shape shaping of both gods and shapes,so as to make the artistic image of characters vivid and vivid on the stage and express their emotions.with a view to providing relevant reference to other singers.