| "Black and white",as a special language in Chinese painting,exists as the result of "Confucianism","Taoism" and "Buddha".It is the result of the continuous fusion of thoughts,and the result of the generalization between being and nothing,and between the virtual and the real.In the history of Chinese painting,whether it is flower-and-bird painting or landscape painting.The relationship of "black and white" plays a crucial role in all of them.In addition to the brushwork and composition,there are other cultural connotations and philosophical thoughts in the pictures.Xia GUI was an important representative of landscape painting in the southern song dynasty.These compositions broke the panoramic composition of the northern song dynasty period,the corner of the half type composition,this paper takes these khe sanh qingyuan this painting as a breakthrough point,analysis on composition and ink picture in black and white,to discuss the relationship between black and white in the landscape painting composition and ink on the specific application,hope in the process of application of black and white in Chinese painting have a correct understanding,for future study.Can have the new breakthrough point but diligently. |