Costume Research On The Empress Of The Yuan Dynasty

The Yuan Dynasty was a unified multi-ethnic dynasty established by the Mongolian rulers in Chinese history.The unique political environment,economic form and cultural pattern of Yuan Dynasty society shaped the face of costume culture.The two capital patrol system made the Yuan Dynasty state rituals with prominent nomadic cultural factors,showing the "duality" characteristics of the Han system and Mongolian customs.For ancestor worship of the emperor and the queen of the Royal appearance,also in the application field,specifications size,painting and weaving process reflects the distinctive characteristics of Mongolia and Yuan.Southern fumigation hall old collection of Yuan Dynasty emperor and queen half of the imperial face is the period of the unique sacrificial culture nurtured by the product,with a high degree of realism.Review of the orderly fifteen Queen’s Royal appearance,painted women are Mongolian,clothing both Mongolian and Chinese fusion characteristics.With the fifteen imperial portraits of the empress as the center,we systematically examine the overall cultural aspects of the costume of the empress during the Yuan Dynasty,using excavated costume objects,domestic and foreign pictorial remains and relevant documentary materials,and supported by multiple evidence.First of all,the style and decorative features of the crown of the Empress of the Yuan Dynasty have been clarified.It is characterized by Yshaped crown body,moderate crown height(18.76-22.33 cm),bamboo as bone,silk robe covering,and jeweled decoration,which shows the stability and continuity of the main modeling style and the variability of local decorative elements.The second testimony out of the Yuan dynasty empress dress big sleeve robe shape style and decorative features.To the queen ceremony with big sleeve robe of the name,application field,modeling characteristics,pattern composition and other key issues to be clarified.The queen’s dresses used in ceremonial occasions such as rituals and banquets are similar in shape to those of the lower nobility,but there are significant differences in materials,colors,patterns and other aspects of rank.Finally,it reveals the political metaphors implied by the dress as the medium of the queen’s royal portrait.There is a commonality of commonality,as the solemn,Chinese and Mongolian fusion of dress is a declaration of imperial orthodoxy;there is also an individuality of difference,as the"graphic" expression of Kublai Chabi’s sole empress is closely related to the state’s will to establish the image of the "model queen".The "pictorial" expression of the monopoly of Empress Kublai Chabi is closely related to the national will to establish the image of the "model virtuous queen.