Wei Jin Southern And Northern Dynasties Gui Yi Shape Design For Research And Inovation Practice

The research on the shape system and innovative design practice of Wei,Jin and North and South Dynasties is to research the detailed characteristics of the shape system and the modeling art effect of the garment to arrive at the design elements of the garment,and to use them as design inspiration for the innovative design practice of modern Chinese clothing.For the study of the black garment,the previous people have paid more attention to the interpretation of the "fiber" and "long hair" of the black garment,but lacked in-depth research on the origin,development and form evolution of the black garment,therefore,it is of great significance and necessity to conduct a systematic and targeted case study on the black garment of the Wei,Jin and North and South Dynasties.Therefore,it is of great significance and necessity to conduct a systematic and specific case study on the clothing of the Wei and Jin dynasties.The article uses documentary research,archaeology,and pictorial analysis to analyze the shape of the clothes of the Wei,Jin,and North and South Dynasties in depth.First,on the basis of collecting and organizing the image data related to the two Han dynasties,Wei Jin and North and South Dynasties,the author summarizes and sorts out the historical evolution and development characteristics of the language-clothing,clarifies the changes in the details of the shape of the language-clothing in different periods and explores the artistic characteristics of the language-clothing modeling,and concludes that the buds of the language-clothing were first released in the pre-Qin period,developed and shaped in the two Han dynasties,flourished in the Wei Jin and North and South Dynasties,and disappeared in the Sui and Tang dynasties.In the pre-Qin Dynasty,the "engraved in clothes" type of tunic was waiting to bloom;in the Western Han Dynasty,the "continued overlapping and hooked edge" type of tunic was strict and rational;in the Eastern Han Dynasty,the "long upper and short lower" type of tunic was lively and dynamic;in the Wei and Jin Dynasties,the "long and short" type of tunic was lively and lively.The "monarchy and leafy knee" type of collared clothes are light and elegant,the "large armpit and wide sleeve" type of collared clothes of the North and South Dynasties are moral and immortal,and the "jacket and skirt" type of collared clothes of the Tang Dynasty are fluttering like God.Secondly,the article is based on the costume data such as terracotta figurines excavated in the Wei,Jin and North and South Dynasties,heirloom paintings,cave murals and other costume data,and studies the collar type,sleeve type,waistline and other detailed features of the jacket,and concludes that the collar type circumference of the jacket varies,the sleeve type varies,and the position of the waistline varies a lot.The short jacket is divided into four categories according to the shape of the upper jacket sleeves: narrow-sleeved jacket,small and large-sleeved jacket,broad-sleeved jacket,and pointed-sleeved jacket.There are two types of robes according to the sleeve shape: the middle-sleeved,wide-sleeved and small-sleeved robes.The "garment" is divided into two types according to the decoration of gui type: the "turban robe" and the "suzha Zen" are overlapped to produce the gui-shaped train style and the lower edge with the decoration of gui type.Thirdly,based on the theoretical basis of the research on the shape of the tunic,we select the tunic of the goddess of Luo Shen Fu,deduce the dimensional data,analyze the style structure,speculate the color pattern,draw the tunic dressing restoration diagram by image restoration,and show the dressing form of the tunic by restoration with3 dclo software and physical production.Fourthly,taking the form and shape of the clothes of the Wei,Jin and North and South Dynasties as reference and modern clothing style as support,extracting the design elements of the clothes of the goddess and combining them with modern design thinking methods to carry out design innovation practice,injecting novel design elements and design inspiration into modern Chinese clothing design,exploring the unique artistic charm of the clothes of the goddess,and providing inspiration sources and cultural roots for contemporary innovative design applications.