| As an important part of Dunhuang frescoes,the flying shape is an artistic image in Buddhism.According to the contents of the Dunhuang Mogao Grottoes,published in1982,the number of well-preserved Mogao Caves reached four hundred and ninety-two,with the Tang dynasty occupying two hundred and thirteen of them.This period of flying free and unrestrained modeling,color bright.The creation of flying sky will be influenced objectively by politics,economy,social formation and so on.In the flying sky modeling of the Tang dynasty,there will also be the aesthetic imprint of the times,but in the dynamic modeling of the characters,more is the expression of emotion,the real character with the creation of fantasy imagination,so that the Chinese freehand culture of the virtual and real combination of the expression in the flying model incisively and vividly.This paper mainly studies the freehand Mogao Caves in the Tang Dynasty,and studies the historical changes of freehand brushwork in the Mogao Grottoes to understand the cause of freehand brushwork.Compared with the artistic features of the realistic flying sky and the freehand flying sky from the three aspects of painting techniques,colors and figures,it shows the transformation from the realistic flying sky to the freehand flying sky more intuitively,finally summed up the Tang Mogao Grottoes freehand method of flying modeling,more intuitive display of the Tang dynasty freehand modeling of flying.Finally,through the practice of this method will be used to meet the modern aesthetic of clothing design,to promote the traditional culture of the Chinese nation to contribute their own strength... |