| As one of the artistic expression languages of watercolor painting,the sense of thickness and the sense of transparency are very different.Thick feeling refers to the visual feeling that the picture can bring to the viewer.In recent years,based on the need to promote the development of watercolor painting ontology,a heavy sense has become an important choice for watercolor painting creation and aesthetic orientation.For specific topics,subjective processing composition,comparing and generalizing colors,and diversifying techniques make the picture show a clear sense of "heavy weight",which can express the painter’s specific intentions.Combined with the experience gained from the exercise,the performance of "heavy sense" is discussed according to the general law of watercolor painting creation.Firstly,it expounds the reason for selecting the heavy weight of watercolor painting,and combines relevant literature to analyze the inevitability of the development of the thick-heavy performance of contemporary Chinese watercolor painting;secondly,it combines the representa tive paintings of well-known painters to analyze the different causes of different heavy senses,and explores the multi-art value of heavy weight performance;in the key part,it combines graduation creation works.Analyze and elaborate in depth the main f actors affecting the performance of heavy feelings from four different levels: theme,color,technique and emotion.Finally,summarize the gains and losses of creation,further explain the inevitability of the development of the "heavy sense",put forward the ideas for future improvement according to its shortcomings,and point out the development possibility of multi-exploratory exploration of the heavy sense. |