On The Auditory Characteristics And The Shaping Of Space Sense Of Radio Drama Sound

With the rapid development of Internet technology and digital recording technology,the art form of radio drama has returned to the public,radio drama from the original radio carrier also began to network digital integration.The unique charm of radio drama is that it can reconstruct an auditory sound field through the composition of different sound elements,and through the Auditory Association of People’s brains,it can show the sound scene with individual character,virtual imaging of the brain can be the best screen.The purpose of this paper is to explore how to use sound elements in a reasonable way to trigger the audience’s auditory perception and association,so as to achieve a better story immersion experience.This paper analyzes the reconstruction of sound field and the expression of emotion in radio play from the perspective of psychoacoustics.Language,sound effects and music,the three different sound elements,have different characteristics in the sense of hearing,and they also play different roles in reconstructing the sound field to convey emotion.Through the analysis of the relevant theories of psychoacoustics and the analysis of the examples in the practical experience of production,this paper studies the influence of the acoustic characteristics of sound on people’s attention,and applies it to the production of practical radio dramas,the sound quality and dramatic expression of the radio play can be improved by more fitting the story setting and directing the audience’s attention in a more appropriate way.Sound elements have their own characteristics but they are not completely separate from each other,they complement each other and interact with each other to become a harmonious whole.In the context of the cultural revival and development of radio drama,more and more people have become the audience of radio drama as a form of artistic expression,and more professionals have participated in the creation of radio drama works.This paper makes some theoretical research on the sound creation and application of radio plays,and provides some theoretical reference and practical experience for the sound producers of radio plays.