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On The Creation Of Folk Song Documentary The Singer Of The Five Rivers From The Perspective Of Documentary Aesthetics

Posted on:2024-06-05Degree:MasterType:Thesis
Country:ChinaCandidate:M LiFull Text:PDF
GTID:2545307073971629Subject:Radio and Television
Abstract/Summary:PDF Full Text Request
Folk intangible cultural heritage is a branch of traditional music in the intangible heritage project.It is a form of cultural export to express the singer’s true feelings,mainly singing and supplemented by performance.The oral improvisation conceived by the working people and passed down from generation to generation is the deep embodiment of folk culture.With the change of media and the development of pop music culture,the attention of folk intangible cultural heritage is gradually marginalized,and the age of inheritors and young people pay less attention to it,leading to the increasingly prominent problem of inheritance fault.As a national intangible cultural heritage,Wuhe folk song is a local folk song culture created by the production and work of the Wuhe people day and night.How to make its sound development and inheritance better is a problem we need to think deeply and study.Folk songs intangible cultural heritage documentaries can be regarded as a solution.They are recorded in the way of documentaries,retained with their unique image visualization,and played a unique role in the process of protection,inheritance and development to promote the continuous development of intangible cultural heritage.Folk intangible cultural heritage documentaries can record the beauty of intangible cultural heritage culture,the beauty of folk tunes,and the beauty adhered to by inheritors.On this basis,documentary creators should adhere to the unity of authenticity and documentary beauty,neither distortion nor beauty due to truth,and present the connotation of folk intangible cultural heritage documentaries by showing the beauty of folk tunes and adhering to the beauty of inheritance.To show the real situation of inheritance and development in real life.Therefore,this paper takes the graduation work "The Singer of the Five Rivers" as an example,takes the documentary aesthetics as the theoretical guidance,takes the folk intangible cultural heritage documentary as the starting point,adopts the literature research,the dialogue interview,the case analysis,the field investigation and other methods,and combines the graduation work "The Singer of the Five Rivers" to discuss the focus on the original ecology and the expression of time and space video sound of the folk intangible cultural heritage documentary.Combining the theory of documentary aesthetics with the creation practice,it reveals the practical difficulties in the development and inheritance of Wuhe folk songs,and also arouses people’s enthusiasm to pass on and integrate folk songs.This paper is mainly divided into the following parts: Introduction is mainly from the background,current situation,methods and significance of the research.The first chapter explains and defines the guiding theory of documentary aesthetics,folk intangible cultural heritage documentaries and the relationship between them,so as to build a systematic theoretical framework and clarify related concepts and connections.The second chapter discusses the expression of folk intangible cultural heritage documentary focusing on original ecology through the principle of documentary aesthetics.Combined with the graduation work The Singer of the Five Rivers,it analyzes the emotion expression of its theme focusing on reality and life scenes and the coordination expression of subjective and objective perspectives.The third chapter,based on the principle of documentary aesthetics,studies the time-space audio-visual expression of folk intangible cultural heritage documentaries,including lens language,sound language and the use of shooting means.The fourth chapter summarizes the creation of the graduation work "The Singer of the Five Rivers",mainly expounds the experience and experience of shooting,and analyzes the shortcomings and shortcomings of my shooting.The conclusion summarizes the results and puts forward the author’s hope and appeal.This paper analyzes and studies the theory and practice of documentary aesthetics on intangible cultural heritage documentaries of folk songs,providing some directions and reference significance for the creation and development of intangible cultural heritage documentaries of folk songs.
Keywords/Search Tags:documentary aesthetics, Documentary film, Non-posthumous songs documentary, Wuhe folk song
PDF Full Text Request
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