Research And Creative Practice On The Brush And Ink Of Landscape Painting With Qinling Subjects

The Qinling Mountains,which harmonize the north and the south and are known throughout the world,are not only the ancestral lineage of the Chinese nation and an important symbol of Chinese culture,but also a source of inspiration for landscape painters and literary scholars throughout the ages.With its vast mountains and rivers and regional humanities,it has attracted many painters and become the subject of their research and expression.This paper begins with the origin of the name Qinling,takes the Qinling mountains and rivers in Shaanxi Province as the main description object,analyzes the changes,breakthroughs and continuous development of the brush and ink in landscape painting with Qinling themes,and finally extends the development and inspiration of the current brush and ink language with his own creative practice.The author uses pictorial and documentary methods to analyze and study the representative works of landscape painters with Qinling themes from the Tang Dynasty to the present day.On the one hand,I explore the important influence of regional characteristics and culture on the creation of landscape paintings with Qinling themes;at the same time,I analyze and study how different painters have developed different brush and ink languages in the face of different backgrounds,life experiences,aesthetic tendencies and personal temperaments in the same region.The author also shares his creative experience in the Qinling Mountains and summarizes the expression of brush and ink language and mood in his creation,not only to reflect the majestic beauty of the Qinling Mountains,but also to give a new spirit of the times to the landscape painting of the Qinling Mountains.