Research On The Cultural Function Of Manhan Tone Of Zhungeer Banner In Ordos

Manhan Diaobao was born in a semi agricultural and semi pastoral area where Mongolian and Han ethnic groups live together,with a relatively sparse population and scattered residence.It originated in Zhunger Banner,Ordos.Manhan Tune,born in modern times,is based on the short tune folk songs of the Mongolian people in Ordos as the mother song,absorbing the characteristics and styles of mountain climbing by the Han people in northwestern Shanxi and Xintianyou in northern Shaanxi,thereby generating a new type of local folk songs.Nowadays,Manhandiao not only has high artistic and cultural value,but also has special social and academic significance in the context of today’s environment that has forged a strong sense of Chinese national community.Although predecessors have conducted comprehensive and multi-angle research on Manhandiao,systematic research results have not yet been produced on the cultural function of Manhandiao.Therefore,this article takes the cultural function of the Manhan Tune in Zhunger Banner of Ordos as the research perspective,uses the research theories and methods of ethnomusicology,and uses the combination of "diachronic" and "synchronic" perspectives to conduct field investigation and exploratory research on the Manhan Tune in Zhunger Banner.This article will analyze and study the cultural functions of Ordos Manhandiao from four aspects: its cultural inheritance function,cultural dissemination function,cultural reference function,and cultural creation function,and then explore the laws and reasons for the changes in the cultural functions of Manhandiao.It will preliminarily explore the continuous development and innovation of Manhandiao and put forward reasonable suggestions,in an effort to protect,inherit,and develop this precious living intangible cultural heritage.The writing framework of this paper is:Introduction: Analyze and sort out the research background and research status of the paper,including the reason for selecting the topic,research significance,academic status,and current problems of the paper,clarify the content of the research object,and explain the research purpose,research ideas,and innovation points of the paper.To lay a solid theoretical foundation for this paper,and also to pave the way for further in-depth research on the cultural functions of Manhandiao in Jungar Banner.The first part is to analyze the cultural heritage background of Manhandiao from a historical perspective through sorting out and studying the natural environmental factors and social and cultural factors that formed the culture of Manhandiao,explore the cultural heritage path of Manhandiao from the development and evolution of its initial creation,maturity,transformation,and innovation,and then through the literature and history records collected and collated by the author,combined with field research and field visits,Therefore,it is concluded that the unique geographical and social and cultural environment of Zhunger Banner in Ordos is the foundation for the formation of Manhandiao culture,while the historical "immigration movement",land reclamation policies and other behaviors objectively promoted the integration of the Mongolian and Han ethnic groups,and ultimately promoted the emergence and development of Zhunger Banner Manhandiao,reflecting the function of cultural inheritance of Manhandiao.In the second part,the cultural dissemination function of Manhandiao in Zhungeer Banner is reflected in its high artistic value.This chapter focuses on the entertainment regulation function,education and enlightenment function,social maintenance function,and identity identification function of Manhandiao when it is sung,highlighting the practical significance and far-reaching impact that Manhandiao has on the official and folk of Zhunger Banner during the dissemination process.The third part analyzes and studies the constituent elements of the Zhunger Banner Manhan Tune and the Ordos short tune folk songs,the Shanxi Shaanxi Han folk songs,and the Inner Mongolia Errentai art.It is found that the Manhan Tune draws on the Ordos Mongolian short tune folk song elements in terms of melody progression and melody structure,draws on the Shanxi Shaanxi Han folk song elements in terms of singing forms and techniques,and draws on the Inner Mongolia Errentai art elements in terms of accompaniment forms and performance forms,It fully embodies the cultural reference function of Manhandiao.The fourth part analyzes the musical composition and lyrics of Manhandiao,and finds that during the development process,the lyrics of Manhandiao have produced artistic features such as colloquialism of dialects,"wind stirring snow",and the frequent use of overlapping words and interlineations.During the performance of Manhandiao,new folk characteristics such as instant singing,casual venue,group integration,and stylization of performance have emerged.These unique artistic styles and folk characteristics reflect the cultural creation function of Manhandiao.In the fifth part,based on field investigations,through investigations and visits to the local Manhandiao Art Institute and Manhandiao Inheritance Class in Zhunger Banner,I conducted exchanges and interviews with multiple inheritors of Manhandiao and experts and scholars studying Manhandiao.I also participated in practical activities such as the Manhandiao Art Festival,the Manhandiao Academic Seminar,and the Manhandiao Art Forum as an insider,and found that due to ethnic integration The impact of national policies,modern media,and other factors has led to changes in cultural functions in today’s society,but there are still limitations in its inheritance and development.These existing challenges will provide practical proposals for achieving the expected research objectives.I hope to contribute to the protection and inheritance of the intangible cultural heritage of the Zhunger Banner Manhandiao.