Exploring The Role Modeling Of Baritone In Ethnic Opera

For a long time,the voice part of Baritone has always been active in foreign works and foreign operas,while the exploration on the role shaping of Baritone in Chinese operas is relatively small.This article,based on my own artistic practice,starts with the portrayal of the positive character Qishu Gong in the national opera "The Daughter of the Party" and the villain character Tada in the national opera "Wild Fire and Spring Breeze Fighting against the Ancient City",and analyzes the characters to understand their roles;Represent the character’s personality traits through sound,tone,posture,and expression,and visualize the character in a three-dimensional manner;Compare and explore the role of Baritone in different plays;Summarize artistic practical experience.And I hope to guide my artistic practice through research and summary.The thesis is divided into three parts:The first part explores the role positioning and character analysis of Baritone in national opera,providing theoretical support for the characterization.The second part further explores and summarizes the methods of shaping character images based on character analysis.The third part analyzes the singing of character aria from multiple perspectives.The purpose of this article is to explore the characteristics of the role of Baritone in Chinese national operas and the methods of performance shaping,so that the public can have a deeper understanding and understanding of the image and role of Baritone in national operas,and put forward personal thoughts and suggestions on how Baritone sings his own songs and tells his own stories.